LEADER 03395nam 22005295 450 001 9910300030103321 005 20230810163447.0 010 $a3-030-01860-1 024 7 $a10.1007/978-3-030-01860-3 035 $a(CKB)4100000007102990 035 $a(MiAaPQ)EBC5592878 035 $a(DE-He213)978-3-030-01860-3 035 $a(EXLCZ)994100000007102990 100 $a20181026d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCosmopolitanism and Transatlantic Circles in Music and Literature /$fby Ryan R. Weber 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (316 pages) $cillustrations 225 1 $aPalgrave Studies in Music and Literature,$x2946-5141 311 $a3-030-01859-8 327 $a1. Introduction: Traversing Time, Place, and Space -- 2. Local Debates, International Partnerships: Garborg, Benzon, and Grieg?s Idea of Cosmopolitanism -- 3. From Songs to Psalms: Grieg?s Cosmopolitan Aesthetic -- 4. Cosmopolitan Practices: Grieg, Grainger, and the Search for a Musical Analogue -- 5. Cosmopolitan Ideas: Grieg, MacDowell, and a Tale of Weary Men -- 6. In Search of Hybridity: MacDowell, Grainger, and the End of Anachronisms -- 7. The Grainger Paradox: Manufacturing Hybridity, Circulating Exclusivity -- 8. Conclusion. 330 $aCosmopolitanism and Transatlantic Circles in Music and Literature traces the transatlantic networks that were constructed between a select group of composers, including Edvard Grieg, Edward MacDowell, and Percy Grainger, and the writers with whom they shared cosmopolitan affinities, including Arne Garborg, Hamlin Garland, Madison Grant, and Lathrop Stoddard. Each overlapping case study surveys the diachronic transmission of cosmopolitanism as well as the synchronic practices that animated these modernist ideas. Instead of taking a strictly chronological approach to organization, each chapter offers an examination of the different layers of identity that expanded and contracted in relation to a mutual interest in Nordic culture. From the burgeoning ?universal? ambitions around 1900 to the darker racialized discourse of the 1920s, this study offers a critical analysis of both the idea and practice of cosmopolitanism in order to expose its common foundations as well as the limits of its application. 410 0$aPalgrave Studies in Music and Literature,$x2946-5141 606 $aComparative literature 606 $aLiterature, Modern$x19th century 606 $aLiterature, Modern$x20th century 606 $aComparative Literature 606 $aNineteenth-Century Literature 606 $aTwentieth-Century Literature 615 0$aComparative literature. 615 0$aLiterature, Modern$x19th century. 615 0$aLiterature, Modern$x20th century. 615 14$aComparative Literature. 615 24$aNineteenth-Century Literature. 615 24$aTwentieth-Century Literature. 676 $a780.08 676 $a780.08 700 $aWeber$b Ryan R$4aut$4http://id.loc.gov/vocabulary/relators/aut$0974996 906 $aBOOK 912 $a9910300030103321 996 $aCosmopolitanism and Transatlantic Circles in Music and Literature$92220094 997 $aUNINA