LEADER 04053nam 22005295 450 001 9910300029903321 005 20200706013647.0 010 $a3-319-77938-9 024 7 $a10.1007/978-3-319-77938-6 035 $a(CKB)4100000005472038 035 $a(DE-He213)978-3-319-77938-6 035 $a(MiAaPQ)EBC5484290 035 $a(EXLCZ)994100000005472038 100 $a20180731d2018 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSurveillance, Race, Culture /$fedited by Susan Flynn, Antonia Mackay 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (XIII, 294 p. 1 illus.) 311 $a3-319-77937-0 327 $aIntroduction -- SECTION 1: SURVEILLANT TECHNOLOGIES -- Articulating Race: Reading Skin Colour as Taxonomy and as Biodata -- Government Surveillance, Racism, and Civic Virtue in the United States -- Sampled Sirens in the City of Los Angeles: Sounding Surveillance on the Black Contemporary Film Screen -- Medical Gazing and the ?Oprah Effect? in The Immortal Life of Henrietta Lacks (2017) -- SECTION 2: SCREEN -- Images of Black Identity: Spaces in-Between.-Knowing the Double Agent: Islam, Uncertainty and the Fragility of the Surveillant Gaze in Homeland -- Allegories of Apartheid: Abjection, Torture and Surveillance in Neill Blomkamp?s District 9 -- Intersectional Digital Dynamics and Racially Profiled Black Celebrities -- SECTION 3: LITERATURE, ART, PERFORMANCE, ACTION -- Let him be left to feel his way in the dark;? Frederick Douglass: White Surveillance and Dark Sousveillance -- Perceptions of Prisoners: Re/Constructing Meaning Inside the Frame of War -- Cops and Incarceration: Constructing Racial Narratives in Reality TV?s Prisons -- Pan-African Pessimism: The Man Who Cried I Am and the Limits of Black Nationalism -- We lived with death right at our backs.? Surveillance Experiences of Black Panther Party Activists -- Epilogue: Surveilling Culture. . 330 $aThis collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche. The volume expertly articulates the manner in which cultural productions have been complicit in watching, seeing and purporting to ?know? race. In our increasingly mediated world, our sense of community is becoming progressively virtual, and surveillant technologies impact upon subjectivity, resulting in multiple forms of artistic and cultural expression. As such, art, film, and literature provide a lens for the reflection of sociocultural concerns. In Surveillance, Race, Culture Flynn and Mackay skilfully draw together a diverse range of contributions to investigate the fundamental question of exactly how surveillant technologies have informed our notions of race, identity and belonging. . 606 $aUnited States?Study and teaching 606 $aCulture 606 $aTechnology 606 $aCultural studies 606 $aAmerican Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411010 606 $aCulture and Technology$3https://scigraph.springernature.com/ontologies/product-market-codes/411180 606 $aCultural Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X22040 615 0$aUnited States?Study and teaching. 615 0$aCulture. 615 0$aTechnology. 615 0$aCultural studies. 615 14$aAmerican Culture. 615 24$aCulture and Technology. 615 24$aCultural Studies. 676 $a306.0973 702 $aFlynn$b Susan$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMackay$b Antonia$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910300029903321 996 $aSurveillance, Race, Culture$92185704 997 $aUNINA