LEADER 04146nam 22006255 450 001 9910300028303321 005 20200701181605.0 010 $a3-319-92885-6 024 7 $a10.1007/978-3-319-92885-2 035 $a(CKB)4100000005323569 035 $a(DE-He213)978-3-319-92885-2 035 $a(MiAaPQ)EBC5477801 035 $a(EXLCZ)994100000005323569 100 $a20180727d2018 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Dystopian Imagination in Contemporary Spanish Literature and Film /$fby Diana Q. Palardy 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (XV, 235 p. 5 illus., 1 illus. in color.) 225 1 $aHispanic Urban Studies,$x2662-5830 311 $a3-319-92884-8 320 $aIncludes bibliographical references and index. 327 $a1. Introduction -- 2. The Path to Voluntary Confinement: Dystopian Spaces of Consumerism in Ray Loriga?s Tokio ya no nos quiere -- 3. Grafting the Global North onto the Global South: Dystopian Transhumanism in Elia Barceló?s ?Mil euros por tu vida? -- 4. The Architecture of Avarice in Ion de Sosa?s Sueñan los androides or: How I Learned to Stop Worrying about the Economic Crisis and Love the Sheep -- 5. Sensescapes of Precarity in El salario del gigante by José Ardillo, Madrid: frontera by David Llorente, and Nos mienten by Eduardo Vaquerizo -- 6. The Cartography of In/subordination in El sistema by Ricardo Menéndez Salmón -- 7. Conclusion. 330 $aThis study examines contemporary Spanish dystopian literature and films (in)directly related to the 2008 financial crisis from an urban cultural studies perspective. It explores culturally-charged landscapes that effectively convey the zeitgeist and reveal deep-rooted anxieties about issues such as globalization, consumerism, immigration, speculation, precarity, and political resistance (particularly by Indignados [Indignant Ones] from the 15-M Movement). The book loosely traces the trajectory of the crisis, with the first part looking at texts that underscore some of the behaviors that indirectly contributed to the crisis, and the remaining chapters focusing on works that directly examine the crisis and its aftermath. This close reading of texts and films by Ray Loriga, Elia Barceló, Ion de Sosa, José Ardillo, David Llorente, Eduardo Vaquerizo, and Ricardo Menéndez Salmón offers insights into the creative ways that these authors and directors use spatial constructions to capture the dystopian imagination. 410 0$aHispanic Urban Studies,$x2662-5830 606 $aEthnology?Europe 606 $aMotion pictures?European influences 606 $aSociology, Urban 606 $aEuropean literature 606 $aMotion pictures 606 $aEuropean Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411070 606 $aEuropean Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413060 606 $aUrban Studies/Sociology$3https://scigraph.springernature.com/ontologies/product-market-codes/X22250 606 $aEuropean Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/832000 606 $aClose Reading$3https://scigraph.springernature.com/ontologies/product-market-codes/413250 615 0$aEthnology?Europe. 615 0$aMotion pictures?European influences. 615 0$aSociology, Urban. 615 0$aEuropean literature. 615 0$aMotion pictures. 615 14$aEuropean Culture. 615 24$aEuropean Cinema and TV. 615 24$aUrban Studies/Sociology. 615 24$aEuropean Literature. 615 24$aClose Reading. 676 $a306.094 700 $aPalardy$b Diana Q$4aut$4http://id.loc.gov/vocabulary/relators/aut$0981907 906 $aBOOK 912 $a9910300028303321 996 $aThe Dystopian Imagination in Contemporary Spanish Literature and Film$92240963 997 $aUNINA