LEADER 02630nam 22004935 450 001 9910300027703321 005 20251204102153.0 010 $a9783319967431 010 $a3319967436 024 7 $a10.1007/978-3-319-96743-1 035 $a(CKB)4100000005958440 035 $a(MiAaPQ)EBC5502840 035 $a(DE-He213)978-3-319-96743-1 035 $a(Perlego)3485636 035 $a(MiAaPQ)EBC6242229 035 $a(EXLCZ)994100000005958440 100 $a20180827d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSpectatorship and Film Theory $eThe Wayward Spectator /$fby Carlo Comanducci 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (207 pages) 311 08$a9783319967424 311 08$a3319967428 327 $a1. Introduction: Film theory, a divided passion? -- 2. The heteronomy of subjectivity and the spectator?s emancipation -- 3. Everyday film theory -- 4. Situatedness and contingency of film experience -- 5. The process of free association and film as an evocative object -- 6. The indeterminacy of embodiment -- 7. The spectator as a history of encounters. 330 $aThis book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator?s gaze. Combining Jacques Rancière?s emancipated spectator with Judith Butler?s queer theory of subjectivity, Spectatorship and Film Theory foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensions?a ?wayward? history of encounters. 606 $aMotion pictures 606 $aAesthetics 606 $aFilm Theory 606 $aAesthetics 615 0$aMotion pictures. 615 0$aAesthetics. 615 14$aFilm Theory. 615 24$aAesthetics. 676 $a302.2343 700 $aComanducci$b Carlo$4aut$4http://id.loc.gov/vocabulary/relators/aut$0855640 906 $aBOOK 912 $a9910300027703321 996 $aSpectatorship and Film Theory$91910324 997 $aUNINA