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024 7 $a10.1007/978-3-319-96544-4
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035   $a(DE-He213)978-3-319-96544-4
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101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aShakespearean Celebrity in the Digital Age $eFan Cultures and Remediation  /$fby Anna Blackwell
205   $a1st ed. 2018.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018.
215   $a1 online resource (198 pages)
225 1 $aPalgrave Studies in Adaptation and Visual Culture,$x2634-629X
311   $a3-319-96543-3 
327   $a1. Introduction -- 2. Pre-digital Shakespearean celebrity -- 3. Performing the Shakespearean body: Tom Hiddleston Onstage and Online -- 4. Professional and ?amateur? Shakespeareanism onstage and online -- 5. Richard III, the digital Shakespearean -- 6. Conclusion.
330   $aThis book offers a timely examination of the relationship between Shakespeare and contemporary digital media. By focusing upon a variety of ?Shakespearean? individuals, groups and communities and their ?online? presence, the book explores the role of popular internet culture in the ongoing adaptation of Shakespeare?s plays and his general cultural standing. The description of certain performers as ?Shakespearean? is a ubiquitous but often throwaway assessment. However, a study of ?Shakespearean? actors within a broader cultural context reveals much, not only about the mutable face of British culture (popular and ?highbrow?) but also about national identity and commerce. These performers share an online space with the other major focus of the book: the fans and digital content creators whose engagement with the Shakespearean marks them out as more than just audiences and consumers; they become producers and critics. Ultimately, Digital Shakespeareans moves beyond the theatrical history focus of related works to consider the role of digital culture and technology in shaping Shakespeare?s contemporary adaptive legacy and the means by which we engage with it. .
410  0$aPalgrave Studies in Adaptation and Visual Culture,$x2634-629X
606   $aMotion pictures
606   $aDigital media
606   $aLiterature, Modern
606   $aShakespeare, William, 1564-1616
606   $aBritish literature
606   $aPoetry
606   $aAdaptation Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413180
606   $aDigital/New Media$3https://scigraph.springernature.com/ontologies/product-market-codes/412040
606   $aShakespeare$3https://scigraph.springernature.com/ontologies/product-market-codes/817010
606   $aBritish and Irish Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/833000
606   $aPoetry and Poetics$3https://scigraph.springernature.com/ontologies/product-market-codes/824000
615  0$aMotion pictures.
615  0$aDigital media.
615  0$aLiterature, Modern.
615  0$aShakespeare, William, 1564-1616.
615  0$aBritish literature.
615  0$aPoetry.
615 14$aAdaptation Studies.
615 24$aDigital/New Media.
615 24$aShakespeare.
615 24$aBritish and Irish Literature.
615 24$aPoetry and Poetics.
676   $a822.33
700   $aBlackwell$b Anna$4aut$4http://id.loc.gov/vocabulary/relators/aut$0892302
906   $aBOOK
912   $a9910300027103321
996   $aShakespearean Celebrity in the Digital Age$91992543
997   $aUNINA