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010   $a3-319-96923-4
024 7 $a10.1007/978-3-319-96923-7
035   $a(CKB)4100000006674707
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035   $a(DE-He213)978-3-319-96923-7
035   $a(EXLCZ)994100000006674707
100   $a20180922d2018      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aCultural Diversity in the French Film Industry $eDefending the Cultural Exception in a Digital Age /$fby Sarah Walkley
205   $a1st ed. 2018.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018.
215   $a1 online resource (286 pages)
225 1 $aNew Directions in Cultural Policy Research,$x2730-924X
311   $a3-319-96922-6 
327   $aList of figures -- List of tables -- Table of abbreviations -- 1. Introduction -- 2. Influence & identity: French motivation for defending cultural diversity -- 3. French film policy: Principles and practice -- 4. The trade and culture clash: The background to the current stalemate -- 5. The digital revolution: Evolving demand v. consistent policy making -- 6. Cultural diversity re-examined: The case for rethinking French film policy -- 7. The market test: Assessing cultural policy and cultural diversity in France -- 8. Conclusion -- Appendix -- Index.
330   $aThis is the first book to examine whether France?s ongoing defence of the cultural exception as a means to maintain cultural policies and defend cultural diversity is justifiable in the digital age. It questions whether the arrival of new players such as Apple and Netflix makes defence impossible, and whether an explosion in the number of films available makes policies for cultural promotion increasingly unnecessary. The book takes a critical look at French film policy to establish whether it promotes cultural diversity across cinema and video on demand and the implications for ongoing defence of the cultural exception. Sarah Walkley ultimately makes the case for a more disciplined approach to discussion of the cultural exception and cultural diversity in France supporting ideological arguments about competition, freedom of expression, consumer choice and national identity with concrete evidence of the success of French policies in countering US film market dominance.
410  0$aNew Directions in Cultural Policy Research,$x2730-924X
606   $aCultural policy
606   $aMass media?Political aspects
606   $aMotion pictures?European influences
606   $aMotion pictures
606   $aCultural Policy and Politics$3https://scigraph.springernature.com/ontologies/product-market-codes/411120
606   $aMedia Policy$3https://scigraph.springernature.com/ontologies/product-market-codes/412070
606   $aEuropean Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413060
606   $aFilm/TV Industry$3https://scigraph.springernature.com/ontologies/product-market-codes/413170
615  0$aCultural policy.
615  0$aMass media?Political aspects.
615  0$aMotion pictures?European influences.
615  0$aMotion pictures.
615 14$aCultural Policy and Politics.
615 24$aMedia Policy.
615 24$aEuropean Cinema and TV.
615 24$aFilm/TV Industry.
676   $a305.8
700   $aWalkley$b Sarah$4aut$4http://id.loc.gov/vocabulary/relators/aut$0963811
906   $aBOOK
912   $a9910300026903321
996   $aCultural Diversity in the French Film Industry$92185744
997   $aUNINA