LEADER 04263nam 22005175 450 001 9910300026703321 005 20211103183105.0 010 $a3-319-90332-2 024 7 $a10.1007/978-3-319-90332-3 035 $a(CKB)4100000005958170 035 $a(MiAaPQ)EBC5496022 035 $a(DE-He213)978-3-319-90332-3 035 $a(EXLCZ)994100000005958170 100 $a20180821d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCognitive Theory and Documentary Film$b[electronic resource] /$fedited by Catalin Brylla, Mette Kramer 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (348 pages) $cillustrations 311 $a3-319-90331-4 320 $aIncludes bibliographical references and index. 327 $a1 Introduction: Intersecting Cognitive Theory and Documentary Film -- Part I The Mediation of Realities -- 2 A Documentary of the Mind: Self, Cognition and Imagination in Anders Østergaard?s Films -- 3 Little Voices and Big Spaces: Animated Documentary and Conceptual Blending Theory -- 4 Documentary Spectatorship and the Navigation of ?Difficulty? -- 5 Docudrama and the Cognitive Evaluation of Realism -- 6 The Duties of Documentary in a Post-Truth Society -- Part II Character Engagement -- 7 Characterization and Character Engagement in the Documentary -- 8 The Difficulty of Eliciting Empathy in Documentary -- 9.Fake Pictures, Real Emotions: A Case Study of Art and Craft -- 10 Engaging Animals in Wildlife Documentaries: From Anthropomorphism to Trans-species Empathy.-Part III Emotions and Embodied Experience.-11 Collateral Emotions: Political Web Videos and Divergent Audience Responses -- 12 Slow TV: The Experiential and Multisensory Documentary -- 13 Toward a Cognitive Definition of First-Person Documentary -- 14 The Communication of Relational Knowledge in the First-Person Documentary -- Part IV Documentary Practice -- 15 A Social Cognition Approach to Stereotyping in Documentary Practice -- 16 A Cognitive Approach to Producing the Documentary Interview -- 17 Documentary Editing and Distributed Cognition. 330 $aThis groundbreaking edited collection is the first major study to explore the intersection between cognitive theory and documentary film studies, focusing on a variety of formats, such as first-person, wildlife, animated and slow TV documentary, as well as docudrama and web videos. Documentaries play an increasingly significant role in informing our cognitive and emotional understanding of today?s mass-mediated society, and this collection seeks to illuminate their production, exhibition, and reception. Taking an interdisciplinary approach, the essays draw on the latest research in film studies, the neurosciences, cultural studies, cognitive psychology, social psychology, and the philosophy of mind. With a foreword by documentary studies pioneer Bill Nichols and contributions from both theorists and practitioners, this volume firmly demonstrates that cognitive theory represents a valuable tool not only for film scholars but also for filmmakers and practice-led researchers. 606 $aMotion pictures 606 $aDocumentary films 606 $aMotion pictures$xProduction and direction 606 $aFilm Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/413090 606 $aDocumentary$3https://scigraph.springernature.com/ontologies/product-market-codes/413050 606 $aFilm and TV Production$3https://scigraph.springernature.com/ontologies/product-market-codes/413150 615 0$aMotion pictures. 615 0$aDocumentary films. 615 0$aMotion pictures$xProduction and direction. 615 14$aFilm Theory. 615 24$aDocumentary. 615 24$aFilm and TV Production. 676 $a791.4353 702 $aBrylla$b Catalin$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aKramer$b Mette$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910300026703321 996 $aCognitive Theory and Documentary Film$92175846 997 $aUNINA