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010   $a9783319738734
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024 7 $a10.1007/978-3-319-73873-4
035   $a(CKB)4100000005820423
035   $a(DE-He213)978-3-319-73873-4
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100   $a20180821d2018      u|         0
101 0 $aeng
135   $aurnn#008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aExperimental and Expanded Animation $eNew Perspectives and Practices /$fedited by Vicky Smith, Nicky Hamlyn
205   $a1st ed. 2018.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018.
215   $a1 online resource (XV, 286 p. 34 illus., 26 illus. in color.)
225 1 $aExperimental Film and Artists' Moving Image,$x2523-7535
311 08$a9783319738727 
311 08$a3319738720 
327   $a1.Introduction, Vicky Smith and Nicky Hamlyn -- 2. Lines and Interruptions in Experimental Animation, Simon Payne -- 3. Performing the Margins of the New, Dirk de Bruyn -- 4. 21st Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner, Barnaby Dicker -- 5. Experimental Time-lapse Animation and the Manifestation of Change and Agency in Objects, Vicky Smith -- 6. Analogon: Of A World Already Animated, Sean Cubitt -- 7. Space and Material: The Virtual Object in Early CGI Art, Alex Jukes -- 8. Just about Film: Bruce McClure, Guy Sherwin and the Resurgence of Celluloid Sound Projections, Nicky Hamlyn.-9 -- Re-Splitting, De-Syncronising, Re-Animating: (E)motion, Neo-spectacle and Innocence in the film-works of John Stezaker, Paul Wells -- 10. Cut to Cute: Fact, Form, and Feeling in Digital Animation, Johanna Gosse -- 11. Into the post feminist doll house: Animation, Installation and Mushi, Suzanne Buchan -- 12. Intermediality in the tableaux vivants in Magic Mirror (75min, 2013) and Confessions To The Mirror (2016), Sarah Pucill -- 13. Siting Animation: the Affect of Place, Birgitta Hosea.
330   $aThis book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr's Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live 'making' and is today exhibited in galleries, public sites and online. With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices. This volume addresses fundamental questions of form, such as drawing and the line, but also broadens out to encompass topics such as the inter-medial, post-humanism, the real, fakeness and fabrication, causation, new forms of synthetic space, ecology, critical re-workings of cartoons, and process as narrative. This book will appeal to cross and inter-disciplinary researchers, animation practitioners, scholars, teachers and students from Fine Art, Film andMedia Studies, Philosophy and Aesthetics.
410  0$aExperimental Film and Artists' Moving Image,$x2523-7535
606   $aAnimated films
606   $aPerforming arts
606   $aTheater
606   $aMotion picture acting
606   $aAnimation
606   $aTheatre and Performance Arts
606   $aScreen Performance
615  0$aAnimated films.
615  0$aPerforming arts.
615  0$aTheater.
615  0$aMotion picture acting.
615 14$aAnimation.
615 24$aTheatre and Performance Arts.
615 24$aScreen Performance.
676   $a791.4334
702   $aSmith$b Vicky$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aHamlyn$b Nicky$4edt$4http://id.loc.gov/vocabulary/relators/edt
906   $aBOOK
912   $a9910300026503321
996   $aExperimental and Expanded Animation$92240960
997   $aUNINA