LEADER 03260nam 22005775 450 001 9910300022003321 005 20250609110109.0 010 $a9783319705125 010 $a3319705121 024 7 $a10.1007/978-3-319-70512-5 035 $a(CKB)4100000001795190 035 $a(DE-He213)978-3-319-70512-5 035 $a(MiAaPQ)EBC5217043 035 $a(Perlego)3491130 035 $a(MiAaPQ)EBC6237334 035 $a(EXLCZ)994100000001795190 100 $a20180109d2018 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Form of Poetry in the 1820s and 1830s $eA Period of Doubt /$fby David Stewart 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (IX, 269 p.) 225 1 $aPalgrave Studies in the Enlightenment, Romanticism and Cultures of Print,$x2634-6524 311 08$a9783319705118 311 08$a3319705113 320 $aIncludes bibliographical references and index. 327 $a1:Introduction -- 2: 'The Genius of the Times': Sales, Forms and Periods -- 3: 'Infinite Profit in a Little Book': Ephemerality and the Annuals -- 4: 'A Labyrinth of Difficulties and Distinctions': Landon, Darley, Browning -- 5: 'A Fatal Gift': Formal Apparitions in Hemans and Beddoes -- 6: 'The Proper Pathetic Face': Hunt, Reynolds, Hood, Praed -- 7: 'A Living Doubt': Clare and Hartley -- 8: 'Conclusion': From Byron to Tennyson. 330 $aThe 1820s and 1830s, the gap between Romanticism and Victorianism, continues to prove a difficulty for scholars. This book explores and recovers a neglected culture of poetry in those years, and it demonstrates that culture was a crucial turning point in literary history. It explores a uniquely wide range of poets, including the poetry of the literary annuals, Letitia Landon, Felicia Hemans, Robert Browning, Samuel Taylor Coleridge, Thomas Hood and John Clare, placing their work in the light of new research into the conditions of the literary market. In turn, it uses that culture to open up wider theoretical issues relating to literary form, book history, print culture, gender and periodisation. The period's doubt about poetry's place in culture and its capacity to last prompted a dazzling range of creative experiments that reimagined the metrical, material and commercial forms of poetry. 410 0$aPalgrave Studies in the Enlightenment, Romanticism and Cultures of Print,$x2634-6524 606 $aLiterature, Modern$y19th century 606 $aPoetry 606 $aEuropean literature 606 $aNineteenth-Century Literature 606 $aPoetry and Poetics 606 $aEuropean Literature 615 0$aLiterature, Modern 615 0$aPoetry. 615 0$aEuropean literature. 615 14$aNineteenth-Century Literature. 615 24$aPoetry and Poetics. 615 24$aEuropean Literature. 676 $a809.034 700 $aStewart$b David$4aut$4http://id.loc.gov/vocabulary/relators/aut$0552238 906 $aBOOK 912 $a9910300022003321 996 $aThe Form of Poetry in the 1820s and 1830s$91910318 997 $aUNINA