LEADER 04823nam 22006375 450 001 9910300021203321 005 20240628124227.0 010 $a9783319666761 010 $a3319666762 024 7 $a10.1007/978-3-319-66676-1 035 $a(CKB)4100000001795184 035 $a(DE-He213)978-3-319-66676-1 035 $a(MiAaPQ)EBC5254263 035 $a(Perlego)3494920 035 $a(EXLCZ)994100000001795184 100 $a20180129d2018 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAmerican-Australian Cinema $eTransnational Connections /$fedited by Adrian Danks, Stephen Gaunson, Peter C. Kunze 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (XVII, 333 p. 15 illus., 10 illus. in color.) 311 08$a9783319666754 311 08$a3319666754 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $a1. Where I'm Calling From: An American-Australian Cinema? -- 2. Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood -- 3. Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life -- 4. Representations and Hybridisations in First Nation Cinema: Change and Newness by Fusion -- 5. Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona -- 6. Accented Relations: Mad Max on US Screens -- 7. Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood -- 8. Australian Horror Movies and the American Market -- 9. The Female Gothic Meets the Terrible Terrace House : Transnational Exchanges and the Suburban Australian Horror of The Babadook -- 10. American Cartel: Block Bookings and the Paramount Plan -- 11. The Multiplex Era -- 12. "Zest to the Jaded Movie Palate": Wallace Worsley, Scott Dunlap and The Romance of Runnibede (1928) -- 13. Defining Neverland: P. J. Hogan, J. M. Barrie, and Peter Pan in Post-Mabo Australia -- 14. The Great Gatsby: Telling National Iconic Stories Through a Transnational Lens. 330 $aThis edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time-the 1920s and 1930s and the last twenty years-to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course overthe last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s. 606 $aMotion pictures 606 $aAustralasia 606 $aMotion pictures, American 606 $aCulture 606 $aAustralasian Film and TV 606 $aAmerican Film and TV 606 $aGlobal Film and TV 606 $aGlobal and International Culture 606 $aAustralasian Culture 615 0$aMotion pictures. 615 0$aAustralasia. 615 0$aMotion pictures, American. 615 0$aCulture. 615 14$aAustralasian Film and TV. 615 24$aAmerican Film and TV. 615 24$aGlobal Film and TV. 615 24$aGlobal and International Culture. 615 24$aAustralasian Culture. 676 $a791.4366 702 $aDanks$b Adrian$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aGaunson$b Stephen$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aKunze$b Peter C$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910300021203321 996 $aAmerican-Australian Cinema$94329528 997 $aUNINA