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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aIdentifying and Interpreting Incongruent Film Music /$fby David Ireland
205   $a1st ed. 2018.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018.
215   $a1 online resource (248 pages)
225 1 $aPalgrave Studies in Audio-Visual Culture,$x2634-6354
311   $a3-030-00505-4 
327   $a1. Introduction -- Part I: Identifying Incongruence -- 2. Interrogating (In)congruence: The Incongruent Perspective -- 3. Identifying (In)congruence -- Part II: Interpreting Incongruence -- 4. Introduction to Part II -- 5. Intradomain Incongruence in the Opening Battle Sequence From Gladiator -- 6. Mozart, Harmonicas, and Aesthetic Incongruence in The Shawshank Redemption -- 7. Jazz, Kazoos, and Conceptual Incongruence in The Informant! -- 8. Duran Duran and Semantic Incongruence in L4yer Cake -- 9. Conclusions. .
330   $aThis book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film?s images and narrative. Defining incongruence as a lack of shared properties in the audiovisual relationship, this study examines various types of incongruence between a film and its music and considers the active role that it can play in the construction of a film?s meaning and influencing audience response. Synthesising findings from research in the psychology of music in multimedia, as well as from ideas sourced in semiotics, film music, and poststructuralist theory, this interdisciplinary book provides a holistic perspective that reflects the complexity of moments of film-music incongruence. With case studies including well-known films such as Gladiator and The Shawshank Redemption, this book combines scene analysis and empirical audience reception tests to emphasise the subjectivity, context-dependency, and multi-dimensionality inherent in identifying and interpreting incongruent film music. .
410  0$aPalgrave Studies in Audio-Visual Culture,$x2634-6354
606   $aMotion pictures
606   $aMusic
606   $aPsychology
606   $aAudio-Visual Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/413190
606   $aFilm Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/413090
606   $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000
606   $aGeneral Psychology$3https://scigraph.springernature.com/ontologies/product-market-codes/Y20110
615  0$aMotion pictures.
615  0$aMusic.
615  0$aPsychology.
615 14$aAudio-Visual Culture.
615 24$aFilm Theory.
615 24$aMusic.
615 24$aGeneral Psychology.
676   $a781.542
676   $a781.542
700   $aIreland$b David$4aut$4http://id.loc.gov/vocabulary/relators/aut$0628941
906   $aBOOK
912   $a9910300013803321
996   $aIdentifying and Interpreting Incongruent Film Music$92220918
997   $aUNINA