LEADER 03879nam 22006015 450 001 9910300011503321 005 20200930210243.0 010 $a3-319-76611-2 024 7 $a10.1007/978-3-319-76611-9 035 $a(CKB)4100000003359476 035 $a(MiAaPQ)EBC5372071 035 $a(DE-He213)978-3-319-76611-9 035 $a(EXLCZ)994100000003359476 100 $a20180426d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aLady Gregory and Irish National Theatre $eArt, Drama, Politics /$fby Eglantina Remport 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (243 pages) 225 1 $aBernard Shaw and His Contemporaries,$x2634-5811 311 $a3-319-76610-4 320 $aIncludes bibliographical references and index. 327 $a1. Introduction -- 2. ?My Education:? Sir William Gregory, the Grand Tours, and the Visual Arts -- 3. ?The ?whorl? of Troy:? Celtic Mythology, Victorian Hellenism, and the Irish Literary Revival -- 4. ?Ní neart go cur le chéile:? Education, Social Reform, and the Abbey Theatre -- 5. ?See a play as a picture:? the Pre-Raphaelite Brotherhood, the Sister Arts, and the Irish Plays -- 6. The Light of the World: Christianity, Cultural Politics, and Constitutional Reform -- 7. Conclusion. 330 $aThis book is the first comprehensive critical assessment of the aesthetic and social ideals of Lady Augusta Gregory, founder, patron, director, and dramatist of the Abbey Theatre in Dublin. It elaborates on her distinctive vision of the social role of a National Theatre in Ireland, especially in relation to the various reform movements of her age: the Pre-Raphaelite Movement, the Co-operative Movement, and the Home Industries Movement. It illustrates the impact of John Ruskin on the aesthetic and social ideals of Lady Gregory and her circle that included Horace Plunkett, George Russell, John Millington Synge, William Butler Yeats, and George Bernard Shaw. All of these friends visited the celebrated Gregory residence of Coole Park in Country Galway, most famously Yeats. The study thus provides a pioneering evaluation of Ruskin?s immense influence on artistic, social, and political discourse in Ireland in the late nineteenth and early twentieth century. 410 0$aBernard Shaw and His Contemporaries,$x2634-5811 606 $aTheater?History 606 $aTheater 606 $aTheater?Production and direction 606 $aBritish literature 606 $aTheatre History$3https://scigraph.springernature.com/ontologies/product-market-codes/415010 606 $aNational/Regional Theatre and Performance$3https://scigraph.springernature.com/ontologies/product-market-codes/415080 606 $aTheatre Industry$3https://scigraph.springernature.com/ontologies/product-market-codes/415110 606 $aTheatre Direction and Production$3https://scigraph.springernature.com/ontologies/product-market-codes/415050 606 $aBritish and Irish Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/833000 615 0$aTheater?History. 615 0$aTheater. 615 0$aTheater?Production and direction. 615 0$aBritish literature. 615 14$aTheatre History. 615 24$aNational/Regional Theatre and Performance. 615 24$aTheatre Industry. 615 24$aTheatre Direction and Production. 615 24$aBritish and Irish Literature. 676 $a306.071 700 $aRemport$b Eglantina$4aut$4http://id.loc.gov/vocabulary/relators/aut$0993487 906 $aBOOK 912 $a9910300011503321 996 $aLady Gregory and Irish National Theatre$92274770 997 $aUNINA