LEADER 04460nam 22005055 450 001 9910300007503321 005 20200930203021.0 010 $a3-319-96050-4 024 7 $a10.1007/978-3-319-96050-0 035 $a(CKB)4100000006999435 035 $a(DE-He213)978-3-319-96050-0 035 $a(MiAaPQ)EBC5631469 035 $a(PPN)251130436 035 $a(EXLCZ)994100000006999435 100 $a20181008d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPatricia Highsmith on Screen /$fedited by Wieland Schwanebeck, Douglas McFarland 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (299 pages) $cillustrations 225 1 $aPalgrave Studies in Adaptation and Visual Culture,$x2634-629X 311 $a3-319-96049-0 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: Patricia Highsmith on Screen, Douglas McFarland and Wieland Schwanebeck -- 2. The Dark Side of Adaptation, Thomas Leitch -- Section I: Doubles, Copies, and Strangers -- 3. ?I Meet a Lot of Guys--But Not Many Like You?: Strangers and Types in Highsmith?s and Hitchcock?s Strangers on a Train, Bran Nicol -- 4. Strangers on a Park Bench: From Highsmith to Alfred Hitchcock to Woody Allen, Klara Stephanie Szlezák -- 5. Tom Ripley?s Talent, Murray Pomerance -- 6. Ripley Under Ground and Its Illegitimate Heirs, Wieland Schwanebeck -- Section II: Queer Encounters -- 7. Queer Ripley: Minghella, Highsmith, and the Anti-Social -- David Greven -- 8. The Price of Salt, Carol, and Queer Narrative Desire(s), Alison L. McKee -- 9. ?Easy Living?: From The Price of Salt (78) to Carol (EP), Robert Miklitsch -- Section III: Aesthetic, Mythic, and Cultural Transaction -- 10. Adapting Irony: Claude Chabrol?s The Cry of the Owl, Douglas McFarland -- 11. With Friends Like These: Wim Wenders? The American Friend as Noir Allegory, Christopher Breu -- 12. Hans Geissendörfer?s Psychological Noir: West-German Adaptations of Patricia Highsmith Novels, Erin Altman and William Mahan -- 13. Authorship and Scales of Adaptation in Chillers, Kristopher Mecholsky -- 14. The Two Faces of January: Theseus and the Minotaur, Catherine McFarland -- Section IV: Adapters in Conversation -- 15. Memories of The American Friend, Wim Wenders -- 16. "Highsmith really writes films", Hans W. Geißendörfer -- 17. ?An interesting lack of sentimentality", Hossein Amini -- 18. ?Highsmith was the queen of guilt", Phyllis Nagy. 330 $aThis book is the first full-length study to focus on the various film adaptations of Patricia Highsmith?s novels, which have been a popular source for adaptation since Alfred Hitchcock?s Strangers on a Train (1952). The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history. 410 0$aPalgrave Studies in Adaptation and Visual Culture,$x2634-629X 606 $aMotion pictures 606 $aAmerica?Literatures 606 $aAdaptation Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413180 606 $aNorth American Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/834000 615 0$aMotion pictures. 615 0$aAmerica?Literatures. 615 14$aAdaptation Studies. 615 24$aNorth American Literature. 676 $a810.9928709045 702 $aSchwanebeck$b Wieland$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMcFarland$b Douglas$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910300007503321 996 $aPatricia Highsmith on Screen$92242499 997 $aUNINA