LEADER 03332nam 22005415 450 001 9910300007203321 005 20210628162644.0 010 $a3-319-90218-0 024 7 $a10.1007/978-3-319-90218-0 035 $a(CKB)4100000004835760 035 $a(MiAaPQ)EBC5432935 035 $a(DE-He213)978-3-319-90218-0 035 $a(EXLCZ)994100000004835760 100 $a20180618d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aShakespeare, Catholicism, and the Middle Ages$b[electronic resource] $eMaimed Rights /$fby Alfred Thomas 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (268 pages) 225 1 $aThe New Middle Ages 311 $a3-319-90217-2 327 $a1. Introduction: Maimed Rights in Shakespeare?s England -- 2. Pride and Penitence: Political and Moral Allegory in Medieval Arthurian Romance and Richard II -- 3. Demonizing the Other: ?The Prioress?s Tale,? The Jew of Malta, and The Merchant of Venice -- 4. Writing, Memory, and Revenge in Beowulf, Sir Gawain and the Green Knight, and Hamlet -- 5. Afterlives of the Martyrs: King Lear, The Duchess of Malfi, and The Virgin Martyr -- 6. ?Remember the Porter?: Memorializing the Medieval Drama and the Gunpowder Plot in Macbeth -- 7. Conclusion: Shakespeare ?Our Contemporary?. 330 $aWhereas traditional scholarship assumed that William Shakespeare used the medieval past as a negative foil to legitimate the present, Shakespeare, Catholicism, and the Middle Ages offers a revisionist perspective, arguing that the playwright valorizes the Middle Ages in order to critique the oppressive nature of the Tudor-Stuart state. In examining Shakespeare?s Richard II, The Merchant of Venice, Hamlet, King Lear, Macbeth, and The Winter?s Tale, the text explores how Shakespeare repossessed the medieval past to articulate political and religious dissent. By comparing these and other plays by Shakespeare?s contemporaries with their medieval analogues, Alfred Thomas argues that Shakespeare was an ecumenical writer concerned with promoting tolerance in a highly intolerant and partisan age. . 410 0$aThe New Middle Ages 606 $aLiterature, Medieval 606 $aLiterature, Modern 606 $aShakespeare, William, 1564-1616 606 $aLiterature?History and criticism 606 $aMedieval Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/818000 606 $aShakespeare$3https://scigraph.springernature.com/ontologies/product-market-codes/817010 606 $aLiterary History$3https://scigraph.springernature.com/ontologies/product-market-codes/813000 615 0$aLiterature, Medieval. 615 0$aLiterature, Modern. 615 0$aShakespeare, William, 1564-1616. 615 0$aLiterature?History and criticism. 615 14$aMedieval Literature. 615 24$aShakespeare. 615 24$aLiterary History. 676 $a822.33 700 $aThomas$b Alfred$f1958-$4aut$0885250 906 $aBOOK 912 $a9910300007203321 996 $aShakespeare, Catholicism, and the Middle Ages$92252846 997 $aUNINA