LEADER 04290nam 22005895 450 001 9910300004503321 005 20220921091843.0 010 $a3-319-95894-1 024 7 $a10.1007/978-3-319-95894-1 035 $a(CKB)4100000007127475 035 $a(MiAaPQ)EBC5598631 035 $a(DE-He213)978-3-319-95894-1 035 $a(EXLCZ)994100000007127475 100 $a20181111d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAfter Austen $eReinventions, Rewritings, Revisitings /$fedited by Lisa Hopkins 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (294 pages) $cillustrations 311 $a3-319-95893-3 327 $a1. Lisa Hopkins, Introduction -- 2. Clare Bainbridge, ?What to Wear and How to Eat It: the Aristocratic Novel After Jane Austen? -- 3. Sarah Dredge, ?Changing their Quarters: Unsettled Forces in Pride and Prejudice and North and South? -- 4. Lisa Hopkins, ?Georgette Heyer: What Austen Left Out? -- 5. Stacy Gillis, ?Manners, Money, and Marriage: Austen, Heyer, and the Literary Genealogy of the Regency Romance? -- 6. Nora Foster Stovel, ?Modernising Jane Austen: the HarperCollins Project? -- 7. Camilla Nelson, ?A Feminist in a Dazzling Dress: Curtis Sittenfeld?s Eligible and the Marriage Industrial Complex? -- 8. Gill Ballinger, ?Adapting Austen ?for the new generation?: ITV?s 2007 Trilogy Mansfield Park, Northanger Abbey and Persuasion? -- 9. Leigh Wetherall-Dickson, ?The ?story-telling? wardrobe of Lady Susan? -- 10. Juliette Wells, ??Dear Aunt Jane?: Agatha Christie?s Miss Marple and Jane Austen? -- 11. Barbara MacMahon, ?Jane Austen, free indirect style, gender and interiority in literary fiction? -- 12. Janice Wardle, ?Austenland and narrative tension in Austen?s biopics? -- 13. Katherine Johnson, ?Literary Heritage Writ Large at the Jane Austen Festival, Bath?. 330 $aThis collection of twelve new essays examines some of what Jane Austen has become in the two hundred years since her death. Some of the chapters explore adaptations or repurposings of her work while others trace her influence on a surprising variety of different kinds of writing, sometimes even when there is no announced or obvious debt to her. In so doing they also inevitably shed light on Austen herself. Austen is often considered romantic and not often considered political, but both those perceptions are challenged her, as is the idea that she is primarily a writer for and about women. Her books are comic and ironic, but they have been reworked and drawn upon in very different genres and styles. Collectively these essays testify to the extraordinary versatility and resonance of Austen?s books. 606 $aLiterature, Modern?18th century 606 $aLiterature, Modern?20th century 606 $aBritish literature 606 $aFiction 606 $aMotion pictures 606 $aEighteenth-Century Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/819000 606 $aTwentieth-Century Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/822000 606 $aBritish and Irish Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/833000 606 $aFiction$3https://scigraph.springernature.com/ontologies/product-market-codes/825000 606 $aAdaptation Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413180 615 0$aLiterature, Modern?18th century. 615 0$aLiterature, Modern?20th century. 615 0$aBritish literature. 615 0$aFiction. 615 0$aMotion pictures. 615 14$aEighteenth-Century Literature. 615 24$aTwentieth-Century Literature. 615 24$aBritish and Irish Literature. 615 24$aFiction. 615 24$aAdaptation Studies. 676 $a823.7 702 $aHopkins$b Lisa$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910300004503321 996 $aAfter Austen$92150044 997 $aUNINA