LEADER 03309nam 22005775 450 001 9910300004203321 005 20200629175014.0 010 $a3-319-69572-X 024 7 $a10.1007/978-3-319-69572-3 035 $a(CKB)4100000001382236 035 $a(DE-He213)978-3-319-69572-3 035 $a(MiAaPQ)EBC5199601 035 $a(EXLCZ)994100000001382236 100 $a20171214d2018 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aChoreographing the Airport $eField Notes from the Transit Spaces of Global Mobility /$fby Justine Shih Pearson 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2018. 215 $a1 online resource (IX, 133 p.) 225 1 $aPalgrave pivot 311 $a3-319-69571-1 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aPrologue.- 1. Towards a Practical Cosmopolitanism -- 2. Persistent Place or Thirdspace? -- 3. Mass Transits, Micro Transitions -- 4. Performing Self at the Border -- 5. Bodies Under Duress (the Dystopic Future is Here). 330 $aThis book investigates the global hub airport as an exemplar of cosmopolitan culture and space. A machine made for movement, itself perched at the crossroads of the world?s incessant mobility, the airport is both a symbol of and stage for the ways in which we construct and inhabit the world today. Taking an ethnographically-inflected approach, this study brings together knowledge of the moving body from dance and performance and the study of systems of mobility within cultural and mobilities studies, in order to call attention to the kinaesthetic experience of global space. What is the choreography of the global airport? How does it perform on us. How do we perform within it? Extending thinking about contemporary cosmopolitanism and cultural identity, and the performativity of places and identities, this book is essential reading for those interested in cultural debates around globalisation, the innovative application of performance theory towards everyday experience, and interdisciplinary methodologies. 410 0$aPalgrave pivot. 606 $aPerforming arts 606 $aCulture 606 $aDance 606 $aTechnology 606 $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030 606 $aGlobal/International Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411160 606 $aDance$3https://scigraph.springernature.com/ontologies/product-market-codes/415020 606 $aCulture and Technology$3https://scigraph.springernature.com/ontologies/product-market-codes/411180 615 0$aPerforming arts. 615 0$aCulture. 615 0$aDance. 615 0$aTechnology. 615 14$aPerforming Arts. 615 24$aGlobal/International Culture. 615 24$aDance. 615 24$aCulture and Technology. 676 $a790 700 $aShih Pearson$b Justine$4aut$4http://id.loc.gov/vocabulary/relators/aut$0855630 906 $aBOOK 912 $a9910300004203321 996 $aChoreographing the Airport$91910298 997 $aUNINA