LEADER 03588nam 22004935 450 001 9910300003803321 005 20200629202243.0 010 $a3-319-71670-0 024 7 $a10.1007/978-3-319-71670-1 035 $a(CKB)4100000002892144 035 $a(MiAaPQ)EBC5358003 035 $a(DE-He213)978-3-319-71670-1 035 $a(EXLCZ)994100000002892144 100 $a20180307d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIndependent Television Production in the UK $eFrom Cottage Industry to Big Business /$fby David Lee 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (ix, 244 pages) 311 $a3-319-71669-7 327 $a1. Chapter 1: Introduction: Situating Independent Television in the cultural economy -- 2. Part I: Independent transformations. The politics of independence: Contextualising independent television production in the UK - Chapter 2. The creation of the independent sector in the UK -- 3. Chapter 3. Creative Industries policy and the rise of the ?mega-indies?; Independent television production in the age of New Labour -- 4. Part II: Working in independent television - Chapter 4: Creative labour and social change -- 5. Chapter 5 Working in the Indies: Precarity, value and burnout -- 6. Chapter 6 Networks, social capital and the burden of performativity -- 7. Part III: Cultural Value - Chapter 7 Independent Creativity -- 8. Chapter 8: Commercialisation, consolidation and cultural value: The restructuring of the British independent television industry, and the implications for production -- 9. Chapter 9. Conclusion: towards a moral economy of independent television production. . 330 $aThis book is the first authoritative account of the UK?s independent television production sector, following the creation of Channel 4 in 1982. It examines the rise of a global industry, increasingly interconnected through format development, distribution, ancillary sales and rights. Drawing on case studies, interviews and policy analysis; the author considers the cultural politics behind the growth of the ?indies?, the labour conditions for workers in this sector, and some of the key television programmes that have been created within it. Filling an important gap in our understanding, this book constitutes a comprehensive account of this vital cultural industry for students, academics and researchers working in the areas of the cultural and creative industries, media and cultural policy and television studies. 606 $aMotion pictures 606 $aEthnology?Europe 606 $aCultural policy 606 $aFilm/TV Industry$3https://scigraph.springernature.com/ontologies/product-market-codes/413170 606 $aBritish Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411050 606 $aCultural Policy and Politics$3https://scigraph.springernature.com/ontologies/product-market-codes/411120 615 0$aMotion pictures. 615 0$aEthnology?Europe. 615 0$aCultural policy. 615 14$aFilm/TV Industry. 615 24$aBritish Culture. 615 24$aCultural Policy and Politics. 676 $a384.550941 700 $aLee$b David$4aut$4http://id.loc.gov/vocabulary/relators/aut$0481691 906 $aBOOK 912 $a9910300003803321 996 $aIndependent Television Production in the UK$92150043 997 $aUNINA