LEADER 03707nam  22006735  450 
001 9910300001803321
005 20251030103908.0
010   $a9781137496423
010   $a1137496428
024 7 $a10.1057/978-1-137-49642-3
035   $a(CKB)4100000003359132
035   $a(MiAaPQ)EBC5348989
035   $a(DE-He213)978-1-137-49642-3
035   $a(Perlego)3490128
035   $a(EXLCZ)994100000003359132
100   $a20180409d2018      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aAffective Moments in the Films of Martel, Carri, and Puenzo /$fby Inela Selimovi?
205   $a1st ed. 2018.
210  1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2018.
215   $a1 online resource (270 pages)
311 08$a9781137496416 
311 08$a113749641X 
327   $a1. Introduction -- 2. Part I MINORS AND HOMEBOUND VIOLENCE - Retributive Affects in Albertina Carri?s La rabia (2008) -- 3. Affective Otherness in Lucrecia Martel?s La ciénaga (2001) -- 4. Lucía Puenzo?s El niño pez (2009): Fluid Intimacies, Affective Dwelling -- 5. Part II REMEDIATIONS AND AFFECT - The Hypermediacy Appeal in Albertina Carri?s Los rubios (2003) -- 6. Muted Gestures, Screaming Affects in Lucrecia Martel?s La mujer sin cabeza (2008) -- 7. Ghostly Pasts and Contested Silence in Lucía Puenzo?s Wakolda: El médico alemán (2013) -- 8. Part III BOLD BOREDOMS, LIBIDINOUS AFFECTS - Compulsory Boredom and Cerulean Desires in Lucía Puenzo?s XXY (2007) -- 9. Albertina Carri?s Géminis (2005): Leisurely Boredom, Incestuous Discontent -- 10. Lucrecia Martel?s La niña santa (2004): On Waiting, Monotony, and Agentic Kinesthesis -- 11. Conclusion. .
330   $aThis book studies the intimate tensions between affect and emotions as terrains of sociopolitical significance in the cinema of Lucrecia Martel, Albertina Carri, and Lucía Puenzo. Such tensions, Selimovi? argues, result in ?affective moments? that relate to the films? core arguments. They also signal these filmmakers? novel insights on complex manifestations of memory, desire, and violence. The chapters explore how the presence of pronounced?but reticent?affect complicates emotional bonding in the everydayness depicted in these films. By bringing out moments of affect in these filmmakers? diegetic worlds, this book traces the ways in which subtle foci on gender, class, race, and sexuality correlate in these Argentine women?s films.
606   $aMotion pictures, American
606   $aMotion pictures$xProduction and direction
606   $aFeminism
606   $aFeminist theory
606   $aEthnology$zLatin America
606   $aCulture
606   $aSex
606   $aLatin American Film and TV
606   $aDirecting
606   $aFeminism and Feminist Theory
606   $aLatin American Culture
606   $aGender Studies
615  0$aMotion pictures, American.
615  0$aMotion pictures$xProduction and direction.
615  0$aFeminism.
615  0$aFeminist theory.
615  0$aEthnology
615  0$aCulture.
615  0$aSex.
615 14$aLatin American Film and TV.
615 24$aDirecting.
615 24$aFeminism and Feminist Theory.
615 24$aLatin American Culture.
615 24$aGender Studies.
676   $a858.91209
700   $aSelimovi?$b Inela$4aut$4http://id.loc.gov/vocabulary/relators/aut$0985585
906   $aBOOK
912   $a9910300001803321
996   $aAffective Moments in the Films of Martel, Carri, and Puenzo$92252845
997   $aUNINA