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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aAffective Moments in the Films of Martel, Carri, and Puenzo$b[electronic resource] /$fby Inela Selimovi?
205   $a1st ed. 2018.
210  1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2018.
215   $a1 online resource (270 pages)
311   $a1-137-49641-X 
327   $a1. Introduction -- 2. Part I MINORS AND HOMEBOUND VIOLENCE - Retributive Affects in Albertina Carri?s La rabia (2008) -- 3. Affective Otherness in Lucrecia Martel?s La ciénaga (2001) -- 4. Lucía Puenzo?s El niño pez (2009): Fluid Intimacies, Affective Dwelling -- 5. Part II REMEDIATIONS AND AFFECT - The Hypermediacy Appeal in Albertina Carri?s Los rubios (2003) -- 6. Muted Gestures, Screaming Affects in Lucrecia Martel?s La mujer sin cabeza (2008) -- 7. Ghostly Pasts and Contested Silence in Lucía Puenzo?s Wakolda: El médico alemán (2013) -- 8. Part III BOLD BOREDOMS, LIBIDINOUS AFFECTS - Compulsory Boredom and Cerulean Desires in Lucía Puenzo?s XXY (2007) -- 9. Albertina Carri?s Géminis (2005): Leisurely Boredom, Incestuous Discontent -- 10. Lucrecia Martel?s La niña santa (2004): On Waiting, Monotony, and Agentic Kinesthesis -- 11. Conclusion. .
330   $aThis book studies the intimate tensions between affect and emotions as terrains of sociopolitical significance in the cinema of Lucrecia Martel, Albertina Carri, and Lucía Puenzo. Such tensions, Selimovi? argues, result in ?affective moments? that relate to the films? core arguments. They also signal these filmmakers? novel insights on complex manifestations of memory, desire, and violence. The chapters explore how the presence of pronounced?but reticent?affect complicates emotional bonding in the everydayness depicted in these films. By bringing out moments of affect in these filmmakers? diegetic worlds, this book traces the ways in which subtle foci on gender, class, race, and sexuality correlate in these Argentine women?s films.
606   $aMotion pictures, American
606   $aMotion pictures?Production and direction
606   $aWomen
606   $aEthnology?Latin America
606   $aCulture
606   $aGender
606   $aLatin American Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413120
606   $aDirecting$3https://scigraph.springernature.com/ontologies/product-market-codes/413080
606   $aWomen's Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X35040
606   $aLatin American Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411080
606   $aCulture and Gender$3https://scigraph.springernature.com/ontologies/product-market-codes/411210
615  0$aMotion pictures, American.
615  0$aMotion pictures?Production and direction.
615  0$aWomen.
615  0$aEthnology?Latin America.
615  0$aCulture.
615  0$aGender.
615 14$aLatin American Cinema and TV.
615 24$aDirecting.
615 24$aWomen's Studies.
615 24$aLatin American Culture.
615 24$aCulture and Gender.
676   $a858.91209
700   $aSelimovi?$b Inela$4aut$4http://id.loc.gov/vocabulary/relators/aut$0985585
906   $aBOOK
912   $a9910300001803321
996   $aAffective Moments in the Films of Martel, Carri, and Puenzo$92252845
997   $aUNINA