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024 7 $a10.1007/978-3-319-57949-8
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035   $a(DE-He213)978-3-319-57949-8
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100   $a20180406d2018      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aExploring the Selfie $eHistorical, Theoretical, and Analytical Approaches to Digital Self-Photography /$fedited by Julia Eckel, Jens Ruchatz, Sabine Wirth
205   $a1st ed. 2018.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018.
215   $a1 online resource (xxi, 392 pages) $cillustrations
311   $a3-319-57948-7 
327   $a1.The Selfie as Image (and) Practice ? Approaching Digital Self-Photography -- 2. The Consecration of the Selfie. A Cultural History -- 3. Selfie-Reflexivity. Pictures of People Taking Photographs -- 4. Locating the ?Selfie? Within Photography?s History ? and Beyond -- 5. The Selfie as Feedback: Video, Narcissism, and the Closed-Circuit Video Installation -- 6. The Selfie and the Face -- 7. Selfies & Authorship ? On the Displayed Authorship and the Author Function of the Selfie -- 8. Competitive Photography and the Presentation of the Self -- 9. Of Duckfaces and Cat-beards: Why Do Selfies Need Genres? -- 10. Interfacing the Self ? Smartphone Snaps and the Temporality of the Selfie -- 11.The Video Selfie as Act and Artefact of Recording -- 12. Be a Hero ? Self-Shoots at the Edge of the Abyss -- 13. Strike a Pose: Robot Selfies -- 14. Selfies and Purikura as Affective, Aesthetic Labour -- 15.The Kid Selfie as Self-Inscription: Re-Inventing an Emerging Media Practice -- 16.?Machos? and ?Top Girls?: Photographic Self-Images of Berlin Hauptschüler.-.
330   $aThis volume explores the selfie not only as a specific photographic practice that is deeply rooted in digital culture, but also how it is understood in relation to other media of self-portrayal. Unlike the public debate about the dangers of 'selfie-narcissism', this anthology discusses what the practice of taking and sharing selfies can tell us about media culture today: can the selfie be critiqued as an image or rather as a social practice? What are the technological conditions of this form of vernacular photography? By gathering articles from the fields of media studies; art history; cultural studies; visual studies; philosophy; sociology and ethnography, this book provides a media archaeological perspective that highlights the relevance of the selfie as a stereotypical as well as creative practice of dealing with ourselves in relation to technology.
606   $aCommunication
606   $aSocial media
606   $aPhotography
606   $aCulture?Study and teaching
606   $aMedia and Communication$3https://scigraph.springernature.com/ontologies/product-market-codes/412010
606   $aSocial Media$3https://scigraph.springernature.com/ontologies/product-market-codes/412020
606   $aPhotography$3https://scigraph.springernature.com/ontologies/product-market-codes/418000
606   $aCultural Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/411130
615  0$aCommunication.
615  0$aSocial media.
615  0$aPhotography.
615  0$aCulture?Study and teaching.
615 14$aMedia and Communication.
615 24$aSocial Media.
615 24$aPhotography.
615 24$aCultural Theory.
676   $a757
702   $aEckel$b Julia$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aRuchatz$b Jens$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aWirth$b Sabine$4edt$4http://id.loc.gov/vocabulary/relators/edt
906   $aBOOK
912   $a9910300000303321
996   $aExploring the Selfie$92188555
997   $aUNINA