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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aNeo-Victorianism on Screen $ePostfeminism and Contemporary Adaptations of Victorian Women /$fby Antonija Primorac
205   $a1st ed. 2018.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018.
215   $a1 online resource (XI, 201 p. 9 illus. in color.) 
225 1 $aPalgrave Studies in Adaptation and Visual Culture,$x2634-629X
311   $a3-319-64558-7 
320   $aIncludes bibliographical references at the end of each chapters and index.
327   $a1. Introduction: Neo-Victorianism on Screen and Postfeminist Media Culture -- 2. Postfeminism and Screen Adaptations of Sherlock Holmes Stories: The Case of Irene Adler -- 3. Re-presenting the Past: Gender, Colonial Space, and Cultural Nostalgia in Neo-Victorianism on Screen -- 4. Caged Birds: Corsets, Cages and Embowered Women in Contemporary Victoriana on Screen -- 5. Re-Fashioning Victorian Heroines and Family Relations: Tailoring and Shape-Shifting as Queer Adaptation and Appropriation -- 6. Conclusion: No Country for Old Women -- 7. Index.
330   $aThis book broadens the scope of inquiry of neo-Victorian studies by focusing primarily on screen adaptations and appropriations of Victorian literature and culture. More specifically, this monograph spotlights the overlapping yet often conflicting drives at work in representations of Victorian heroines in contemporary film and TV. Primorac?s close analyses of screen representations of Victorian women pay special attention to the use of costume and clothes, revealing the tensions between diverse theoretical interventions and generic (often market-oriented) demands. The author elucidates the push and pull between postcolonial critique and nostalgic, often Orientalist spectacle; between feminist textual interventions and postfeminist media images. Furthermore, this book examines neo-Victorianism?s relationship with postfeminist media culture and offers an analysis of the politics behind onscreen treatment of Victorian gender roles, family structures, sexuality, and colonial space.
410  0$aPalgrave Studies in Adaptation and Visual Culture,$x2634-629X
606   $aMotion pictures
606   $aLiterature, Modern?19th century
606   $aGreat Britain?History
606   $aEthnology?Europe
606   $aAdaptation Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413180
606   $aNineteenth-Century Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/821000
606   $aHistory of Britain and Ireland$3https://scigraph.springernature.com/ontologies/product-market-codes/717020
606   $aBritish Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411050
615  0$aMotion pictures.
615  0$aLiterature, Modern?19th century.
615  0$aGreat Britain?History.
615  0$aEthnology?Europe.
615 14$aAdaptation Studies.
615 24$aNineteenth-Century Literature.
615 24$aHistory of Britain and Ireland.
615 24$aBritish Culture.
676   $a791.436522
700   $aPrimorac$b Antonija$4aut$4http://id.loc.gov/vocabulary/relators/aut$0964620
906   $aBOOK
912   $a9910299998103321
996   $aNeo-Victorianism on Screen$92188554
997   $aUNINA