LEADER 03358nam 22005175 450 001 9910299995903321 005 20200930213117.0 010 $a3-319-71017-6 024 7 $a10.1007/978-3-319-71017-4 035 $a(CKB)4100000003359220 035 $a(MiAaPQ)EBC5345515 035 $a(DE-He213)978-3-319-71017-4 035 $a(EXLCZ)994100000003359220 100 $a20180409d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPoetry and Vision in Early Modern England /$fby Jane Partner 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (345 pages) 225 1 $aEarly Modern Literature in History,$x2634-5919 311 $a3-319-71016-8 327 $a1. Introduction -- 2. Margaret Cavendish, Vision and Fancy -- 3. The 'Infant-Ey' in the Devotional Writing of Thomas Traherne -- 4. Vision, Geometry and Truth in the Poetry of Andrew Marvell -- 5. The 'Advice to a Painter' Poems and the Politics of Visual Representation -- 6. Vision in Milton's Epic Poetry -- 7. Conclusion. 330 $aThis book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry?s own relation to truth. Drawing on archival research, Poetry and Vision in Early Modern England brings together an innovative selection of texts and images to construct a new interdisciplinary context for interpreting the poetry of Cavendish, Traherne, Marvell and Milton. Each chapter presents a reappraisal of vision in the work of one of these authors, and these case studies also combine to offer a broader consideration of the ways that conceptions of seeing were used in poetry to explore the relations between the ?inward? life of the viewer and the ?outward? reality that lies beyond; terms that are shown to have been closely linked, through ideas about sight, with the emergence of the fundamental modern categories of the ?subjective? and ?objective?. This book will be of interest to literary scholars, art historians and historians of science. 410 0$aEarly Modern Literature in History,$x2634-5919 606 $aLiterature, Modern 606 $aLiterature?Philosophy 606 $aBritish literature 606 $aEarly Modern/Renaissance Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/817000 606 $aLiterary Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/812000 606 $aBritish and Irish Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/833000 615 0$aLiterature, Modern. 615 0$aLiterature?Philosophy. 615 0$aBritish literature. 615 14$aEarly Modern/Renaissance Literature. 615 24$aLiterary Theory. 615 24$aBritish and Irish Literature. 676 $a821.308 700 $aPartner$b Jane$4aut$4http://id.loc.gov/vocabulary/relators/aut$0871352 906 $aBOOK 912 $a9910299995903321 996 $aPoetry and Vision in Early Modern England$91945281 997 $aUNINA