LEADER 01440nam 2200349Ia 450 001 996391568703316 005 20221108082650.0 035 $a(CKB)1000000000669195 035 $a(EEBO)2240925488 035 $a(OCoLC)9920471900971 035 $a(EXLCZ)991000000000669195 100 $a19950918d1604 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aBy the King$b[electronic resource] $eas often as we call to minde the most ioyfull and iust recognition made by the whole body of our realme, in the first session of our high court of Parliament .. 210 $aImprinted at London $cBy Robert Barker, Printer to the Kings most Excellent Maiestie$dAnno Dom. 1604 215 $a3 leaves 300 $aFor declaring the royal style and title. 300 $aOther title information from first 3 lines of text. 300 $a"Giuen at our Pallace of Westminster the twentieth day of October, in the second yeere of our Raigne of England, France and Ireland, and of Scotland the eight and thirtieth." 300 $aImprint from colophon. 300 $aReproduction of original in: Harvard University. Library. 330 $aeebo-0062 607 $aGreat Britain$xHistory$yJames I, 1603-1625 701 $aJames$cKing of England,$f1566-1625.$01001019 801 0$bEBK 801 1$bEBK 801 2$bWaOLN 906 $aBOOK 912 $a996391568703316 996 $aBy the King$92299281 997 $aUNISA LEADER 04462nam 22006975 450 001 9910299791303321 005 20230810194353.0 010 $a9783319913100 010 $a3319913107 024 7 $a10.1007/978-3-319-91310-0 035 $a(CKB)4100000005323103 035 $a(DE-He213)978-3-319-91310-0 035 $a(MiAaPQ)EBC5477793 035 $a(Perlego)3491706 035 $a(EXLCZ)994100000005323103 100 $a20180726d2018 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArt, Creativity, and Politics in Africa and the Diaspora /$fedited by Abimbola Adelakun, Toyin Falola 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource 225 1 $aAfrican Histories and Modernities,$x2634-5781 311 08$a9783319913094 311 08$a3319913093 320 $aIncludes bibliographical references and index. 327 $a1. Introduction -- 2. Rewriting Algeria: Transcultural Kinship and Anticolonial Revolution in Kateb Yacine's L'Homme aux sandales de caoutchou -- 3. Revolution and Revolt: Identitarian Space, Magic, and the Land in Decolonial Latin American and African Writing -- 4. Family Politics: Negotiating the Family Unit as a Creative Force in Chigozie Obioma's The Fishermen and Ben Okri's The Famished Road -- 5. Auteuring Nollywood: Rethinking the Movie Director and the Idea of Creativity in the Nigerian Film Industry -- 6. Nollywood in Rio: An Exploration of Brazilian Audience Perception of Nigerian Cinema -- 7. Re-Producing Self, Community, and "Naija" in Nigerian Diaspora Films: Soul Sisters in the United States and Man on the Ground in South Africa -- 8. A Single Story: African Women as Staged in US Theatre -- 9. Silêncio: Black Bodies, Black Characters, and the Black Political Persona in the Work of the Teatro Negro Group Cia dos Comuns -- 10. New Orleans: America's Creative Crescent -- 11. The Hashtag as Archive: Internet Memes in Nigeria's Social Media Election -- 12. Black Creativity in Jamaica and Its Global Influences: 1930-1987 -- 13. Ethics and Aesthetic Creativity: A Critical Reflection on the Moral Purpose of African Art -- 14. From Saartjie to Queen Bey: Black Female Artists and the Global Cultural Industry. 330 $aThis book explores the politics of artistic creativity, examining how black artists in Africa and the diaspora create art as a procedure of self-making. Essays cross continents to uncover the efflorescence of black culture in national and global contexts and in literature, film, performance, music, and visual art. Contributors place the concerns of black artists and their works within national and transnational conversations on anti-black racism, xenophobia, ethnocentrism, migration, resettlement, resistance, and transnational feminisms. Does art by the subaltern fulfill the liberatory potential that critics have ascribed to it? What other possibilities does political art offer? Together, these essays sort through the aesthetics of daily life to build a thesis that reflects the desire of black artists and cultures to remake themselves and their world. 410 0$aAfrican Histories and Modernities,$x2634-5781 606 $aAfrica$xHistory 606 $aWorld history 606 $aEthnology$zAfrica 606 $aCulture 606 $aAfrica$xPolitics and government 606 $aAfrican literature 606 $aAfrican History 606 $aWorld History, Global and Transnational History 606 $aAfrican Culture 606 $aAfrican Politics 606 $aAfrican Literature 615 0$aAfrica$xHistory. 615 0$aWorld history. 615 0$aEthnology 615 0$aCulture. 615 0$aAfrica$xPolitics and government. 615 0$aAfrican literature. 615 14$aAfrican History. 615 24$aWorld History, Global and Transnational History. 615 24$aAfrican Culture. 615 24$aAfrican Politics. 615 24$aAfrican Literature. 676 $a960 702 $aAdelakun$b Abimbola$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aFalola$b Toyin$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910299791303321 996 $aArt, Creativity, and Politics in Africa and the Diaspora$92531508 997 $aUNINA