LEADER 03763nam 22006735 450 001 9910299677103321 005 20200707004644.0 010 $a4-431-55423-8 024 7 $a10.1007/978-4-431-55423-3 035 $a(CKB)3710000000360449 035 $a(EBL)1998093 035 $a(OCoLC)904131866 035 $a(SSID)ssj0001452112 035 $a(PQKBManifestationID)11785823 035 $a(PQKBTitleCode)TC0001452112 035 $a(PQKBWorkID)11479939 035 $a(PQKB)10153884 035 $a(DE-He213)978-4-431-55423-3 035 $a(MiAaPQ)EBC1998093 035 $a(PPN)184496993 035 $a(EXLCZ)993710000000360449 100 $a20150226d2015 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOpera House Acoustics Based on Subjective Preference Theory /$fby Yoichi Ando 205 $a1st ed. 2015. 210 1$aTokyo :$cSpringer Japan :$cImprint: Springer,$d2015. 215 $a1 online resource (188 p.) 225 1 $aMathematics for Industry,$x2198-350X ;$v12 300 $aDescription based upon print version of record. 311 $a4-431-55422-X 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Analyses of Temporal Factors of a Source Signal -- Formulations and Simulation of the Sound Field -- Model of Auditory-Brain System -- Temporal- and Spatial-Primary Percepts of the Sound and the Sound Field -- Theory of Subjective Preference for the Sound Field -- Examination of Subjective Preference Theory in an Existing Opera House -- Reverberance of the Sound Field -- Improvements of Subjective Prefences for Listeners and Performers -- Optimizing Room-Form -- Visual Temporal Sensations on the Stage Blending with Opera and Music -- Design Theory of Opera House Stage Persisting Individual Creations -- Appendix Appendix Comparison between Measured Orthogonal Factors Using a Dummy Head and Four Human-Real Heads. 330 $aThis book focuses on opera house acoustics based on subjective preference theory; it targets researchers in acoustics and vision who are working in physics, psychology, and brain physiology. This book helps readers to understand any subjective attributes in relation to objective parameters based on the powerful and workable model of the auditory system. It is reconfirmed here that the well-known Helmholtz theory, which was based on a peripheral model of the auditory system, may not well describe pitch, timbre, and duration as well as the spatial sensations described in this book, nor overall responses such as subjective preference of sound fields and the annoyance of environmental noise. 410 0$aMathematics for Industry,$x2198-350X ;$v12 606 $aAcoustical engineering 606 $aBuilding construction 606 $aCognitive psychology 606 $aEngineering Acoustics$3https://scigraph.springernature.com/ontologies/product-market-codes/T16000 606 $aBuilding Physics, HVAC$3https://scigraph.springernature.com/ontologies/product-market-codes/T23080 606 $aCognitive Psychology$3https://scigraph.springernature.com/ontologies/product-market-codes/Y20060 615 0$aAcoustical engineering. 615 0$aBuilding construction. 615 0$aCognitive psychology. 615 14$aEngineering Acoustics. 615 24$aBuilding Physics, HVAC. 615 24$aCognitive Psychology. 676 $a620.2 700 $aAndo$b Yoichi$4aut$4http://id.loc.gov/vocabulary/relators/aut$0283335 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910299677103321 996 $aOpera House Acoustics Based on Subjective Preference Theory$91412172 997 $aUNINA