LEADER 03788nam 22007215 450 001 9910299662203321 005 20200704010745.0 010 $a3-319-02801-4 024 7 $a10.1007/978-3-319-02801-9 035 $a(CKB)3710000000311621 035 $a(EBL)1968679 035 $a(OCoLC)908090344 035 $a(SSID)ssj0001408136 035 $a(PQKBManifestationID)11933756 035 $a(PQKBTitleCode)TC0001408136 035 $a(PQKBWorkID)11348270 035 $a(PQKB)11368411 035 $a(DE-He213)978-3-319-02801-9 035 $a(MiAaPQ)EBC1968679 035 $a(PPN)183150309 035 $a(EXLCZ)993710000000311621 100 $a20141201d2015 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Neuroscientific Basis of Successful Design$b[electronic resource] $eHow Emotions and Perceptions Matter /$fby Marco Maiocchi 205 $a1st ed. 2015. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2015. 215 $a1 online resource (117 p.) 225 1 $aPoliMI SpringerBriefs,$x2282-2577 300 $aDescription based upon print version of record. 311 $a3-319-02800-6 320 $aIncludes bibliographical references and index. 327 $aEmotions and design methodologies -- Design as evolutionary discipline -- Emotions and design -- Perception and emotions -- Metaphors and design -- The Design Process -- Case studies -- Future developments. 330 $aThe term ?design? today encompasses attributes of artifacts that go beyond their intended functions, imbuing them with new meanings. Those meanings are deeply related to the emotions perceived by the users. This book investigates the findings deriving from the neurosciences that are relevant to design. Drawing upon up-to-date neuroscientific knowledge, the authors define what an emotion is, examine the relationship between perceptions and emotions and discuss the role of metaphoric communication. Particular attention is paid to those elements of perception and metaphoric interpretation that cause the emotions to rise. Consequences for the design process are then considered and a design process is proposed that takes into account emotional impacts as one of the goals. A solid scientific approach to the subject is maintained throughout and understanding is facilitated by the inclusion of a rich collection of successful design artifacts, the emotional aspects of which are analyzed. 410 0$aPoliMI SpringerBriefs,$x2282-2577 606 $aEngineering design 606 $aIndustrial psychology 606 $aNeurosciences 606 $aIndustrial design 606 $aEngineering Design$3https://scigraph.springernature.com/ontologies/product-market-codes/T17020 606 $aIndustrial and Organizational Psychology$3https://scigraph.springernature.com/ontologies/product-market-codes/Y20030 606 $aNeurosciences$3https://scigraph.springernature.com/ontologies/product-market-codes/B18006 606 $aIndustrial Design$3https://scigraph.springernature.com/ontologies/product-market-codes/K19020 615 0$aEngineering design. 615 0$aIndustrial psychology. 615 0$aNeurosciences. 615 0$aIndustrial design. 615 14$aEngineering Design. 615 24$aIndustrial and Organizational Psychology. 615 24$aNeurosciences. 615 24$aIndustrial Design. 676 $a745.2019 700 $aMaiocchi$b Marco$4aut$4http://id.loc.gov/vocabulary/relators/aut$09970 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910299662203321 996 $aThe Neuroscientific Basis of Successful Design$92525665 997 $aUNINA