LEADER 03508nam 22006495 450 001 9910299252703321 005 20200630053738.0 010 $a3-319-11236-8 024 7 $a10.1007/978-3-319-11236-7 035 $a(CKB)3710000000454102 035 $a(SSID)ssj0001558323 035 $a(PQKBManifestationID)16182665 035 $a(PQKBTitleCode)TC0001558323 035 $a(PQKBWorkID)14818718 035 $a(PQKB)10835648 035 $a(DE-He213)978-3-319-11236-7 035 $a(MiAaPQ)EBC6311456 035 $a(MiAaPQ)EBC5587483 035 $a(Au-PeEL)EBL5587483 035 $a(OCoLC)913959096 035 $a(PPN)18769043X 035 $a(EXLCZ)993710000000454102 100 $a20150708d2015 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aComputational Counterpoint Worlds $eMathematical Theory, Software, and Experiments /$fby Octavio Alberto Agustín-Aquino, Julien Junod, Guerino Mazzola 205 $a1st ed. 2015. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2015. 215 $a1 online resource (X, 220 p. 57 illus., 16 illus. in color.) 225 1 $aComputational Music Science,$x1868-0305 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-319-11235-X 327 $aCounterpoint -- First-Species Model -- Preliminary Background -- Quasipolarities and Interval Dichotomies -- Towers of Counterpoint -- Graphs -- Transformations -- Implementation -- Second-Species Model -- Hypergesture Homology -- Glossary -- Index. 330 $aThe mathematical theory of counterpoint was originally aimed at simulating the composition rules described in Johann Joseph Fux?s Gradus ad Parnassum. It soon became apparent that the algebraic apparatus used in this model could also serve to define entirely new systems of rules for composition, generated by new choices of consonances and dissonances, which in turn lead to new restrictions governing the succession of intervals. This is the first book bringing together recent developments and perspectives on mathematical counterpoint theory in detail. The authors include recent theoretical results on counterpoint worlds, the extension of counterpoint to microtonal pitch systems, the singular homology of counterpoint models, and the software implementation of contrapuntal models. The book is suitable for graduates and researchers. A good command of algebra is a prerequisite for understanding the construction of the model. 410 0$aComputational Music Science,$x1868-0305 606 $aApplication software 606 $aMusic 606 $aComputer Appl. in Arts and Humanities$3https://scigraph.springernature.com/ontologies/product-market-codes/I23036 606 $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000 615 0$aApplication software. 615 0$aMusic. 615 14$aComputer Appl. in Arts and Humanities. 615 24$aMusic. 676 $a781.286 700 $aAgustín-Aquino$b Octavio Alberto$4aut$4http://id.loc.gov/vocabulary/relators/aut$01059168 702 $aJunod$b Julien$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aMazzola$b Guerino$4aut$4http://id.loc.gov/vocabulary/relators/aut 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910299252703321 996 $aComputational Counterpoint Worlds$92504464 997 $aUNINA