LEADER 05395nam 22007575 450 001 9910299053503321 005 20220808183622.0 010 $a3-319-04510-5 024 7 $a10.1007/978-3-319-04510-8 035 $a(CKB)3710000000094984 035 $a(EBL)1697917 035 $a(OCoLC)876594234 035 $a(SSID)ssj0001186541 035 $a(PQKBManifestationID)11702418 035 $a(PQKBTitleCode)TC0001186541 035 $a(PQKBWorkID)11240264 035 $a(PQKB)10758798 035 $a(MiAaPQ)EBC1697917 035 $a(DE-He213)978-3-319-04510-8 035 $a(PPN)177823674 035 $a(EXLCZ)993710000000094984 100 $a20140328d2014 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aInteractive Experience in the Digital Age$b[electronic resource] $eEvaluating New Art Practice /$fedited by Linda Candy, Sam Ferguson 205 $a1st ed. 2014. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2014. 215 $a1 online resource (275 p.) 225 1 $aSpringer Series on Cultural Computing,$x2195-9056 300 $aDescription based upon print version of record. 311 $a3-319-04509-1 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aList of Contributors.- Interactive Experience and Evaluation in Practice Linda Candy and Sam Ferguson.- Human Computer Interaction, Experience and Art Ernest Edmonds -- Evaluation and Experience in Art Linda Candy.- Keeping Research in Tune with Practice Andrew Johnson.- IInteractive Art, Autonomy and Evaluation Scott Simon.- The Machine as Autonomous Performer Oliver Brown, Petra Gemeinboeck and Rob Saunders.- Intimate Aesthetics and Facilitated Interaction Lian Loke and George Poonkhin Khut.- The Network Unveiled: Evaluating Intercultural Musical Interaction Roger Mills and Kirsty Beilharz.- Mutual Engagement in Digitally Mediated Public Art Nick Bryan-Kinns.- The Role of Emotions in Art Evaluation Chek Tien Tan and Sam Ferguson.- Blending Art Events and HCI Research Derek Reilly, Fanny Chevalier and Dustin Freeman.- In the Wild: Evaluating Collaborative Interactive Musical Experiences in Public Settings Ben Bengler and Nick Bryan Kinns.- Evaluation in Public Art: The Light Logic Exhibition Ximena Alarcon-Diaz, Kira Askaroff, Linda Candy, Ernest Edmonds, Jane Faram and Gill Hobson.- Experience and Evaluation in the Collective Creation of a Public Digital Exhibition Stephen Barras and Anna Luisa Sanchez Laws.-Curating Digital Public Art Deborah Turnbull and Matthew Connell.- Digital Arts Entrepreneurship: Evaluating Performative Interaction Jennifer G. Sheridan -- Index. 330 $aThe use of interactive technology in the arts has changed the audience from viewer to participant and in doing so is transforming the nature of experience. From visual and sound art to performance and gaming, the boundaries of what is possible for creation, curating, production and distribution are continually extending. As a consequence, we need to reconsider the way in which these practices are evaluated.   Interactive Experience in the Digital Age explores diverse ways of creating and evaluating interactive digital art through the eyes of the practitioners who are embedding evaluation in their creative process as a way of revealing and enhancing their practice. It draws on research methods from other disciplines such as interaction design, human-computer interaction and practice-based research, and adapts them to develop new strategies and techniques for how we reflect upon and assess value in the creation and experience of interactive art.   With contributions from artists, scientists, curators, entrepreneurs and designers engaged in the creative arts, this book is an invaluable resource for both researchers and practitioners, working in this emerging field. 410 0$aSpringer Series on Cultural Computing,$x2195-9056 606 $aUser interfaces (Computer systems) 606 $aApplication software 606 $aCommunication 606 $aSociology 606 $aArt 606 $aUser Interfaces and Human Computer Interaction$3https://scigraph.springernature.com/ontologies/product-market-codes/I18067 606 $aComputer Appl. in Arts and Humanities$3https://scigraph.springernature.com/ontologies/product-market-codes/I23036 606 $aMedia Research$3https://scigraph.springernature.com/ontologies/product-market-codes/X29000 606 $aFine Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/416010 615 0$aUser interfaces (Computer systems). 615 0$aApplication software. 615 0$aCommunication. 615 0$aSociology. 615 0$aArt. 615 14$aUser Interfaces and Human Computer Interaction. 615 24$aComputer Appl. in Arts and Humanities. 615 24$aMedia Research. 615 24$aFine Arts. 676 $a776 702 $aCandy$b Linda$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aFerguson$b Sam$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910299053503321 996 $aInteractive Experience in the Digital Age$92268956 997 $aUNINA