LEADER 09682nam 2200625Ia 450 001 9910456821503321 005 20200520144314.0 010 $a1-282-36022-1 010 $a9786612360220 010 $a0-520-94061-X 024 7 $a10.1525/9780520940611 035 $a(CKB)2430000000010949 035 $a(EBL)837315 035 $a(OCoLC)773565083 035 $a(SSID)ssj0000290847 035 $a(PQKBManifestationID)11230490 035 $a(PQKBTitleCode)TC0000290847 035 $a(PQKBWorkID)10246824 035 $a(PQKB)11606411 035 $a(MiAaPQ)EBC837315 035 $a(OCoLC)667013297 035 $a(MdBmJHUP)muse30447 035 $a(DE-B1597)520215 035 $a(DE-B1597)9780520940611 035 $a(Au-PeEL)EBL837315 035 $a(CaPaEBR)ebr10675828 035 $a(CaONFJC)MIL236022 035 $a(EXLCZ)992430000000010949 100 $a20070307d2008 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCanyon Cinema$b[electronic resource] $ethe life and times of an independent film distributor /$fScott MacDonald 210 $aBerkeley $cUniversity of California Press$dc2008 215 $a1 online resource (478 p.) 300 $a"Simpson, imprint in humanities"--Prelim. p. 311 $a0-520-25087-7 311 $a0-520-25086-9 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction --$t1: Formation --$tAnnouncement of Publication of Canyon Cinema News, 1962 --$tAn Essay on Censorship /$rLandau, Saul --$tReport from on the Road, Filming . . . [1964] /$rBaillie, Bruce --$tDenunciation of the Ann Arbor Film Festival [1965] /$rMarkopoulos, Gregory --$tLetter from the Ann Arbor Film Festival, April 1, 1965 /$rManupelli, George --$tOn His Blindness [1965] /$rManupelli, George --$t2 : Incorporation --$tConversation with Edith Kramer, July 2001 --$tLetter from Chapala, Mexico, January 1967 /$rBaillie, Bruce --$tLetter from San Francisco, February 18, 1967 /$rConner, Bruce --$tOpen Letter to Film-makers, June 12, 1967 /$rNelson, Robert --$tLetter [1967] /$rBaillie, Bruce --$tRebuttal to Robt. Nelson's "Open Letter to Film-makers" [1967] /$rPike, Robert --$tBruce Baillie's Prejudiced Guide to Film Festivals [1967] /$rBaillie, Bruce --$tReview of Sheldon Renan's An Introduction to the American Underground Film [1967] /$rMenefee, Emory --$tLetter [1967] /$rHindle, Will --$tThe Brussels Festival [1968] /$rNelson, Robert --$tThe Swedish Proposal for New American Cinema, and Some Miscellaneous Notes [1968] /$rNelson, Robert --$tLetter from San Francisco, April 1968 /$rHindle, Will --$tNotes from the Creative Film Society: Pros and Cons of Theatrical Bookings [1968] /$rPike, Robert --$tNews from the Australian Undependents --$tLetter to John Schofill [1968] /$rSpinello, Barry --$tNotes from the Creative Film Society [1968] /$rPike, Robert --$tLetter, August 6, 1968, and Emory Menefee's response /$rConner, Bruce --$tThe Story of a Closet Cine-Drama . . . or . . . From Isolation to Immortality [1968] /$rPike, Robert --$tSome Thoughts about the Bellevue Film Festival Two Weeks after Judging It [1968] /$rNelson, Robert --$tLetter, September 10 [1968] /$rHindle, Will --$tLetter, "August, Beginning of September" [1968] /$rBaillie, Bruce --$tLetter [1969] /$rHindle, Will --$tFan Letter to Bruce Conner [1969] /$rLennon, John --$tLetter from Oakland, California [1969] /$rSpinello, Barry --$tExchanges (Letters) [1969] /$rConner, Bruce --$tLetter [1969] /$rMekas, Jonas --$tLetter [1970] /$rConner, Bruce --$tLetter from Alabama, January 1970 /$rEmshwiller, Ed --$tI Lost It at the Movies or Electro-Videograph Interface Meets Mr. Natural [1970] /$rBrakhage, Stan --$tLetter [1970] /$rHindle, Will --$tCanyon Cinema Board of Directors' Meeting Minutes [May 20, 1970] /$rJost, Jon --$tLetter [1970] /$rBaillie, Bruce --$tCanyon Cinema Board of Directors' Meeting Minutes [May 20, 1970] --$tRight Back to the Billabong [1970] /$rCantrill, Arthur --$tPoem [1970] /$rBartlett, Scott --$tLetter [1970] /$rNelson, Robert --$tLetter [1972] /$rConner, Bruce --$tLetter [1972] /$rStrand, Chick --$tUnderground Myths and Cinema Cooperative Realities (Some Concrete Policy Suggestions) [1972] /$rJost, John --$tEight Drawings [1972] /$rConner, Bruce --$tWhatever Became of Canyon Cinema Co-operative? [1972] /$rLloyd, Don --$tLetter from Bangkok [1972] /$rHutton, Peter --$tCanyon Cinema, What Next? [1973] /$rDeRoux, Ken --$t3 : Revitalization --$tConversation with Diane Kitchen, March 2002 --$tPeter Kubelka at the Cinematheque, October 3, 1974 --$tRecuperating at His Forest Place in the Mountains of North Alabama, September 1974 /$rHindle, Will --$tRemarks Following a Screening of The Text of Light at the San Francisco Art Institute on November 18, 1974 /$rBrakhage, Stan --$tLetter, March 1975 /$rBaillie, Bruce --$tWaiting for Godard at the Front: The Palestinian Cinema Institution [1975] /$rPearson, Lyle --$tHow to Cope with the Question Period [1975] /$rBroughton, James --$tAustralian Coop News [1975] /$rThoms, Albie --$tPrayag in 35mm: The Film and Television Institute of India [1975] /$rPearson, Lyle --$tChick Strand's Recollections of Canyon Cinema's Early Beginnings with Added Commentary from Chick Callenbach [1976] /$rKitchen, Diane / Nelson, Gunvor --$tLetter from Lower Appalachians, Late June 1976 /$rHindle, Will --$tLetter and Excerpts from a Conversation with Stan Brakhage [On Death and The Act of Seeing with One's Own Eyes, 1977] /$rVarela, Willie --$tWhat Is a Poetry Film? [1977] /$rBerlandt, Herman --$tA Bit of Scuttlebutt . . . [1977] --$tThree Poems (A Rune for Jerome Hill, Tomfool for President, and A Prelude for Brakhage) [1977] /$rBroughton, James --$tDiscussion with George Landow [1977] /$rEllman, Steve --$tLetter, April 22, 1977 --$tWindowmobile [1977] /$rBroughton, James --$t4 : Intellectualization --$tConversation with Bruce Conner, July 2001 --$tAn Art Liberation Front Dis'course on Avant-Garde Film [1977] /$rGibbons, Joe --$tHyper Kinetic Stan/dards [1977] /$rHills, Henry --$tHollis Frampton in San Francisco [April 21/29, 1977] --$tBody-Centered Film [1977] /$rHammer, Barbara --$tThundercrack (cartoon) [1977] /$rKuchar, George --$tMatinee [1978] /$rChild, Abigail --$tThe Dietrich Dossier (cartoon) [1978] /$rKuchar, George --$tALF Communique [1978] /$rGibbons, Joe --$tLetter to Henry Hills, January 13, 1978 /$rBrakhage, Stan --$tLetter [1978] /$rWhite, David --$tGeorge Kuchar in Europe (an interview) [1978] /$rHills, Henry --$tAunt Kastune [1978] /$rMekas, Jonas --$tTony Conrad in San Francisco, February 28, 1978 --$tChild Labor [1978] /$rHills, Henry --$tLetter, February 18, 1978 --$tLetter, September 22, 1968 /$rConner, Bruce --$tRobert Nelson Interview [1978] /$rHills, Henry --$tGeorge Landow at the Cinematheque, May 18, 1978 --$tHollis Frampton in San Francisco, part 2 [ST. HOLLIS] --$tYvonne Rainer at the Cinematheque, April 6, 1978 --$tViolence [1978] /$rChild, Abigail --$tSome Unseen Lights [1978] /$rBroughton, James --$tSketchbook (November-December 1977) /$rSpiegelman, Art --$tTo Whom It . . . [1979] /$rBarrie, Diana --$tSurvival in the Independent-Non-Commercial-Avant-Garde- Experimental-Personal-Expressionistic Film Market of 1979 /$rJordan, Larry --$tHow to Read II [1979] /$rSeaton, Peter --$t1st Milarepa Gatha [1979] /$rLow, Jackson Mac --$tFilm Syntax [1979] /$rSonbert, Warren --$tThe Films of Aline Mayer [1979] /$rChild, Abigail --$tLetter, December 24, 1979, and New York Cut the Crap [1980 /$rDoberman, Gary --$tFilm Syntax (Continued) [1980] /$rSonbert, Warren --$t"What's a Picnic without Potato Salad!" [1980] / /$rLee, Caroline Savage --$tLetter, May 16, 1980 /$rBartlett, Freude --$tLetter, Late June [1980] /$rBaillie, Bruce --$tChick Strand at the Cinematheque, March 6, 1980 --$tConversation with Chick Strand [1980] /$rNelson, Gunvor --$tLetter, c. 1980 /$rMeter, Ben Van --$tLetter, September 10, 1980 /$rHills, Henry --$tLetter, September 18, 1980 /$rStrand, Chick --$t5 : Maintenance --$tConversation with Dominic Angerame, August 2002 and May 2006 --$tLetters to Canyon Cinema Sent during the Film/Video Debate of 1994 (from Tom DeWitt, George Kuchar, Robert Nelson, and Stan Brakhage) --$tLetter from Camano Island, October 10, 1994 /$rBaillie, Bruce --$tAppendix 1. Canyon Cinema Employees, 1969 to the Present --$tAppendix 2. Canyon Cinema's Gross Rentals and Sales, from 1966 until 2006-2007 --$tAcknowledgments of Permissions --$tIndex 330 $aBringing alive a remarkable moment in American cultural history, Scott MacDonald tells the colorful story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960's and evolved to become a major force in the development of independent cinema. Drawing from extensive conversations with men and women crucial to Canyon Cinema, from its newsletter Canyon Cinema news, and from other key sources, MacDonald offers a lively chronicle of the life and times of this influential, idiosyncratic film exhibition and distribution collective. His book features many primary documents that are as engaging and relevant now as they were when originally published, including essays, poetry, experimental writing, and drawings. 606 $aIndependent films$zUnited States 608 $aElectronic books. 615 0$aIndependent films 676 $a384/.80973 700 $aMacDonald$b Scott$f1942-$0835457 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456821503321 996 $aCanyon Cinema$91867370 997 $aUNINA LEADER 03732nam 22007455 450 001 9910298974503321 005 20251117075414.0 010 $a3-319-08780-0 024 7 $a10.1007/978-3-319-08780-1 035 $a(CKB)3710000000205410 035 $a(EBL)1783137 035 $a(OCoLC)889264324 035 $a(SSID)ssj0001295514 035 $a(PQKBManifestationID)11735654 035 $a(PQKBTitleCode)TC0001295514 035 $a(PQKBWorkID)11337096 035 $a(PQKB)11036674 035 $a(MiAaPQ)EBC1783137 035 $a(DE-He213)978-3-319-08780-1 035 $a(PPN)179923765 035 $a(EXLCZ)993710000000205410 100 $a20140722d2014 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDigital Pathology /$fby Yves Sucaet, Wim Waelput 205 $a1st ed. 2014. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2014. 215 $a1 online resource (87 p.) 225 1 $aSpringerBriefs in Computer Science,$x2191-5768 300 $aDescription based upon print version of record. 311 08$a1-336-19466-9 311 08$a3-319-08779-7 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aDigital Pathology?s Past to Present -- Hardware and Software -- Applications -- Image Analysis -- Use Cases -- A Bright Future. 330 $aDigital pathology has experienced exponential growth, in terms of its technology and applications, since its inception just over a decade ago. Though it has yet to be approved for primary diagnostics, its values as a teaching tool, facilitator of second opinions and quality assurance reviews, and research are becoming, if not already, undeniable. It also offers the hope of providing pathology consultant and educational services to under-served areas, including regions of the world that could not possibly sustain this level of services otherwise. And this is just the beginning, as its adoption by the also rapidly-emerging fields of medical systems biology and 3D tissue imaging indicate. This work describes how digital pathology not only has the potential to dramatically impact medical education and the delivery of health care, but also to exert an immensely positive influence worldwide, including in countries and regions that normally fail to benefit from such technological advances. 410 0$aSpringerBriefs in Computer Science,$x2191-5768 606 $aMedical informatics 606 $aOptical data processing 606 $aPathology 606 $aRadiology 606 $aHealth Informatics$3https://scigraph.springernature.com/ontologies/product-market-codes/I23060 606 $aImage Processing and Computer Vision$3https://scigraph.springernature.com/ontologies/product-market-codes/I22021 606 $aPathology$3https://scigraph.springernature.com/ontologies/product-market-codes/H4800X 606 $aImaging / Radiology$3https://scigraph.springernature.com/ontologies/product-market-codes/H29005 615 0$aMedical informatics. 615 0$aOptical data processing. 615 0$aPathology. 615 0$aRadiology. 615 14$aHealth Informatics. 615 24$aImage Processing and Computer Vision. 615 24$aPathology. 615 24$aImaging / Radiology. 676 $a616.0750285 700 $aSucaet$b Yves$4aut$4http://id.loc.gov/vocabulary/relators/aut$0905494 702 $aWaelput$b Wim$4aut$4http://id.loc.gov/vocabulary/relators/aut 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910298974503321 996 $aDigital Pathology$92025281 997 $aUNINA