LEADER 07184nam 22009255 450 001 9910298642303321 005 20200701075704.0 010 $a3-319-10100-5 024 7 $a10.1007/978-3-319-10100-2 035 $a(CKB)3710000000277650 035 $a(EBL)1965416 035 $a(OCoLC)895047507 035 $a(SSID)ssj0001386564 035 $a(PQKBManifestationID)11896988 035 $a(PQKBTitleCode)TC0001386564 035 $a(PQKBWorkID)11374510 035 $a(PQKB)11302406 035 $a(MiAaPQ)EBC1965416 035 $a(DE-He213)978-3-319-10100-2 035 $z(PPN)258869003 035 $a(PPN)183088425 035 $a(EXLCZ)993710000000277650 100 $a20141110d2014 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIssues in Contemporary Oil Paint /$fedited by Aviva Burnstock, Matthijs de Keijzer, Jay Krueger, Tom Learner, Alberto de Tagle, Gunnar Heydenreich, Klaas Jan van den Berg 205 $a1st ed. 2014. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2014. 215 $a1 online resource (435 p.) 300 $aDescription based upon print version of record. 311 $a3-319-10099-8 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aFrom the content: 1. 20th Century Oil Paint. The interface between science and conservation and the challenges for modern oil paint research -- 2. Do we see what we know or do we know what we see? Conservation of oil paintings in the Stedelijk Museum Amsterdam -- 3. Towards interpretation of making, meaning, and change in British 20th century oil paintings: the relevance of an artist?s paint archive -- 4. The delight of modern organic pigment creations -- 5. Modern Oil Paints ? Formulations, organic additives, and degradation: some case studies -- 6. Distinction by micro-Raman spectroscopy and chemometrical analysis of copper phthalocyanine blue polymorphs in oil-based and acrylic paint samples -- 7. Charting the development of oil-based enamel paints through the correlation of historical paint technology manuals with scientific analysis -- 8. Hans Hofmann?s last lesson: a study of the artist?s materials in the last decade of his career. 9. Théorème de Gödel by Georges Mathieu, 1957. Study and restoration: consolidation through cohesive regeneration using a solvent -- 10. Non-traditionally painted oil painting: how to treat it properly? Josip Vani?ta?s Cakes (1955) -- 11. Conservation Issues in Several 20th-Century Canadian Oil Paintings: The Role of Zinc Carboxylate Reaction Product -- 12. Zwei Jünglinge und Zwei Mädchen, a tempera painting by Otto Mueller, circa 1917. Paint analysis and reconstruction -- 13. Metal soaps and visual changes in a painting by René Magritte ?The Menaced Assassin, 1927 -- 14. Fleurs Grises - A delicate surface. Difficult to clean - Essential to protect -- 15. Derivatisation technique for infrared spectroscopy - Characterisation of oxidative ageing products in modern oil paint. 16. Investigating fluidizing dripping pink commercial paint on Van Hemert?s Seven-series works from 1990-1995 -- 17. Hard dry paint, softening tacky paint, and exuding drips on Composition (1952) by Jean-Paul Riopelle -- 18. Zinc white and the influence of paint composition for stability in oil based media -- 19. It's surreal: zinc-oxide degradation and misperceptions in Salvador Dalí?s Couple with Clouds in their Heads, 1936 -- 20. Water Sensitive Oil Paints in the 20th Century: A study of the distribution of water-soluble degradation products in modern oil paint films -- 21. An investigation into the viability of removal of lead soap efflorescence from contemporary oil paintings -- 22. Set back the race: Treatment strategies for running oil paint -- 23. Sensitivity of modern oil paints to solvents. Effects on synthetic organic pigments -- 24. Dry Cleaning: research and practice -- 25. New Approaches to Surface Cleaning of Unvarnished Contemporary Oil Paintings - Moist Sponges and Cloths -- 26. Agar - a new tool for the surface cleaning of water sensitive oil paint? -- 27. Investigation into the surface conductivity of water-sensitive modern oil paints. 330 $aThis volume represents 27 peer-reviewed papers presented at the ICOP 2013 symposium which will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings. The subject matter ranges from developments of paint technology, working methods of individual artists, through characterisation of paints and paint surfaces, paint degradation vs. long time stability, to observations of issues in collections, cleaning and other treatment issues as well as new conservation approaches. 606 $aAnalytical chemistry 606 $aMaterials science 606 $aCultural heritage 606 $aSpectroscopy 606 $aMicroscopy 606 $aMaterials?Surfaces 606 $aThin films 606 $aNanotechnology 606 $aAnalytical Chemistry$3https://scigraph.springernature.com/ontologies/product-market-codes/C11006 606 $aCharacterization and Evaluation of Materials$3https://scigraph.springernature.com/ontologies/product-market-codes/Z17000 606 $aCultural Heritage$3https://scigraph.springernature.com/ontologies/product-market-codes/419000 606 $aSpectroscopy and Microscopy$3https://scigraph.springernature.com/ontologies/product-market-codes/P31090 606 $aSurfaces and Interfaces, Thin Films$3https://scigraph.springernature.com/ontologies/product-market-codes/Z19000 606 $aNanotechnology$3https://scigraph.springernature.com/ontologies/product-market-codes/Z14000 615 0$aAnalytical chemistry. 615 0$aMaterials science. 615 0$aCultural heritage. 615 0$aSpectroscopy. 615 0$aMicroscopy. 615 0$aMaterials?Surfaces. 615 0$aThin films. 615 0$aNanotechnology. 615 14$aAnalytical Chemistry. 615 24$aCharacterization and Evaluation of Materials. 615 24$aCultural Heritage. 615 24$aSpectroscopy and Microscopy. 615 24$aSurfaces and Interfaces, Thin Films. 615 24$aNanotechnology. 676 $a363.69 676 $a54 676 $a543 676 $a620.11 702 $aBurnstock$b Aviva$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $ade Keijzer$b Matthijs$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aKrueger$b Jay$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aLearner$b Tom$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $ade Tagle$b Alberto$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aHeydenreich$b Gunnar$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $avan den Berg$b Klaas Jan$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910298642303321 996 $aIssues in Contemporary Oil Paint$92520661 997 $aUNINA