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010   $a94-017-9303-4
024 7 $a10.1007/978-94-017-9303-2
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035   $a(EBL)1966766
035   $a(OCoLC)896824873
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035   $a(PQKBTitleCode)TC0001386634
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035   $a(DE-He213)978-94-017-9303-2
035   $a(MiAaPQ)EBC1966766
035   $a(PPN)18308781X
035   $a(iGPub)SPNA0035565
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100   $a20141120d2015      u|         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aNanotechnologies in the Conservation of Cultural Heritage $eA compendium of materials and techniques /$fby Piero Baglioni, David Chelazzi, Rodorico Giorgi
205   $a1st ed. 2015.
210  1$aDordrecht :$cSpringer Netherlands :$cImprint: Springer,$d2015.
215   $a1 online resource (153 p.)
300   $aDescription based upon print version of record.
311 08$a94-017-9302-6 
320   $aIncludes bibliographical references.
327   $aPreface -- About the Authors -- Innovative Nanomaterials: Principles, Availability and Scopes -- Consolidation of Wall Paintings and Stones -- Cleaning of Wall Paintings and Stones -- Cleaning of Easel Paintings -- Deacidification of Paper, Canvas and Wood.
330   $aThis book presents novel applications of nanotechnology for the preservation of artistic and historical artifacts. It explains the scientific principles behind numerous nanomaterials and discusses their applications to different types of common movable and fixed artistic substrates. It starts with an overview of the nano-tools developed over the last three decades, such as dispersions of nanoparticles, micellar solutions, microemulsions and gels. Compared to traditional methods, these new tools have the benefit of considerably less impact on both the operators and the environment. Each chapter is dedicated to a specific type of cultural heritage material (wall and easel paintings, stone, paper, canvas and wood) starting with the main degradation paths and discussing protocols for the application of innovative nanomaterials-based tools for cleaning, consolidation, or deacidification, which represent the majority of the case studies encountered in restoration facilities, workshops andateliers. The book provides step-by-step descriptions that are meant to support conservators in the application of these novel materials and methods. The aim of the book is to equip end-users and conservators with essential information and knowledge on the availability and applicability of different nano-materials and dispersed systems. While the book?s focus is on the practical aspects, interested readers will also find references to the relevant advanced colloid and material science literature. Main audience: Expert conservators, restorers and technical staff at conservation institutes and museums, students at conservation and restoration schools, and scientists who are new to the field of conservation of artistic and historical artifacts.
606   $aNanotechnology
606   $aArchaeology
606   $aMeasurement
606   $aMeasuring instruments
606   $aSoft condensed matter
606   $aSurfaces (Technology)
606   $aThin films
606   $aCultural property
606   $aNanotechnology
606   $aArchaeology
606   $aMeasurement Science and Instrumentation
606   $aSoft and Granular Matter
606   $aSurfaces, Interfaces and Thin Film
606   $aCultural Heritage
615  0$aNanotechnology.
615  0$aArchaeology.
615  0$aMeasurement.
615  0$aMeasuring instruments.
615  0$aSoft condensed matter.
615  0$aSurfaces (Technology)
615  0$aThin films.
615  0$aCultural property.
615 14$aNanotechnology.
615 24$aArchaeology.
615 24$aMeasurement Science and Instrumentation.
615 24$aSoft and Granular Matter.
615 24$aSurfaces, Interfaces and Thin Film.
615 24$aCultural Heritage.
676   $a363.69
676   $a530.41
676   $a530.8
676   $a620.11
700   $aBaglioni$b Piero$4aut$4http://id.loc.gov/vocabulary/relators/aut$0994067
702   $aChelazzi$b David$4aut$4http://id.loc.gov/vocabulary/relators/aut
702   $aGiorgi$b Rodorico$4aut$4http://id.loc.gov/vocabulary/relators/aut
906   $aBOOK
912   $a9910298627403321
996   $aNanotechnologies in the Conservation of Cultural Heritage$92276645
997   $aUNINA