LEADER 05803 am 22006253u 450 001 9910295755503321 005 20200218120400.0 010 $a1-78374-531-2 035 $a(CKB)4100000007178935 035 $a(MiAaPQ)EBC5607110 035 $a(WaSeSS)IndRDA00124803 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/31048 035 $a(EXLCZ)994100000007178935 100 $a20200622d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe juggler of Notre Dame and the medievalizing of modernity$hVolume 4$iPicture that $emaking a show of the jongleur /$fJan M. Ziolkowski 210 $cOpen Book Publishers$d2018 210 1$aCambridge, England :$cOpen Book Publishers,$d2018. 215 $a1 online resource (520 pages) $cillustrations 225 1 $ab707c8c4-f9e3-4f28-9273-1fa6db7364d2 311 $a1-78374-530-4 311 $a1-78374-529-0 320 $aIncludes bibliographical references and index. 327 $aNote to the Reader -- 1. The Composer ; The Jongleur in the Circle of Richard Wagner ; Tannha?user ; The Medievalesque Oeuvre of Jules Massenet ; The Tall Tale of the Libretto ; The Middle Ages of the Opera ; Sage Wisdom ; Juggling Secular and Ecclesiastical ; The Jongleur of Monte Carlo ; Jean, Be?ne?dictine, and Selling Gothic ; The Musician of Women ; The All-Male Cast -- 2. The Diva ; Mary Garden Takes America ; Oscar Hammerstein I ; Making a Travesti of Massenet's Tenor ; Selling the Jongleur ; Mary Garden Dances the Role ; The Role of Dance ; Sexless, Sexy ... and What Sex? ; The Jongleur Goes to Notre Dame ; The College Woman as Jongleur: Skirting the Issue ; From Opera to Vaudeville -- 3. Images of the Virgin ; The Power of Madonnas in the Round ; Madonnas in Majesty ; Animated Images ; Miracles of Madonnas -- 4. The Crypt ; Grottoes and Crypts ; Madonnas in Crypts ; Cistercian Crypts ; Gothic Crypts -- 5. Enlightening the Virgin ; The Incandescent Virgin ; Dressing Madonnas: What Are You Wearing? ; Carrying a Torch for Mary ; Lighting Effects: Lights, Camera, Action! ; Voyeurism and Performance Art -- 6. Cloistering the USA: Everybody Must Get Stones ; Stony Silence ; Collecting Clusters of Cloisters ; A Gothic Room of Her Own: Vanderbilt and Gardner ; Raymond Pitcairn and the "New Church" ; The Hearst Castle ; The Last Hurrah -- 7. The Great War and Its Aftermath ; Ruining Europe ; Reims: Martyr City and Cathedral ; Rebuilding Europe in America ; German Expressionism ; French Piety ; Painting the Juggler ; American Gothic -- Notes -- Notes to Chapter 1 -- Notes to Chapter 2 -- Notes to Chapter 3 -- Notes to Chapter 4 -- Notes to Chapter 5 -- Notes to Chapter 6 -- Notes to Chapter 7 -- Bibliography -- Abbreviations -- Referenced Works -- List of Illustrations -- Index. 330 $aBorn into a distinguished aristocratic family of the old Habsburg Empire, Hermynia Zur Mühlen spent much of her childhood and early youth travelling in Europe and North Africa with her diplomat father. Never comfortable with the traditional roles women were expected to play, she broke as a young adult both with her family and, after five years on his estate in the old Czarist Russia, with her German Junker husband, and set out as an independent, free-thinking individual, earning a precarious living as a writer. She translated over 70 books from English, French and Russian into German, notably the novels of Upton Sinclair, which she turned into best-sellers in Germany; produced a series of detective novels under a pseudonym; wrote seven engaging and thought-provoking novels of her own, six of which were translated into English; contributed countless insightful short stories and articles to newspapers and magazines; and, having become a committed socialist, achieved international renown in the 1920s with her Fairy Tales for Workers? Children, which were widely translated including into Chinese and Japanese. Because of her fervent and outspoken opposition to National Socialism, she and her life-long Jewish partner, Stefan Klein, had to flee first Germany, where they had settled, and then, in 1938, her native Austria. They found refuge in England, where Zur Mühlen died, forgotten and virtually penniless, in 1951. This new, expanded edition contains: Zur Mühlen?s autobiographical memoir, The End and the Beginning; The editor?s detailed notes on the persons and events mentioned in the autobiography; A selection of Zur Mühlen?s short stories and two fairy tales; A synopsis of Zur Mühlen?s untranslated novel Our Daughters the Nazi Girls; An essay by the Editor on Zur Mühlen?s life and work; A bibliography of Zur Mühlen?s novels in English translation; A portfolio of selected illustrations of her work by George Grosz and Heinrich Vogeler; A free online supplement with additional original material 606 $aMedievalism 606 $aCivilization, Medieval$xInfluence 610 $aMiddle Ages 610 $areception studies 610 $aModernity 610 $amedieval studies 610 $amedievalism 610 $aphilology 610 $aliterary history 610 $aart history 610 $afolklore 610 $aperformance studies 610 $aclassical music 610 $aJules Massenet 610 $aMary Garden 610 $aLe jongleur de Notre Dame 615 0$aMedievalism. 615 0$aCivilization, Medieval$xInfluence. 676 $a909.07 700 $aZiolkowski$b Jan M.$f1956-$0161415 801 0$bWaSeSS 801 1$bWaSeSS 906 $aBOOK 912 $a9910295755503321 996 $aThe juggler of Notre Dame and the medievalizing of modernity$91927734 997 $aUNINA