LEADER 00958nam0-2200289 --450 001 9910293851803321 005 20181205140948.0 100 $a20181205d1952----kmuy0itay5050 ba 101 0 $aita 102 $aIT 105 $aae 001yy 200 1 $a<>antiche case ed il Palazzo dei Guicciardini in Firenze$fPaolo Guicciardini, Emilio Dori 210 $aFirenze$cOlschki$d1952 215 $a176 p., 36 c. di tav.$cill.$d30 cm 225 1 $aCollana di pubblicazioni guicciardiniane$v25 300 $aTiratura limitata di 150 esemplari 610 0 $aFirenze$aPalazzo dei Guicciardini 676 $a728.820945511$v20$zita 700 1$aGuicciardini,$bPaolo$0202651 701 1$aDori,$bEmilio$0760770 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910293851803321 952 $a728.82 GUI 1$bbibl. 2018$fFLFBC 959 $aFLFBC 996 $aAntiche case ed il Palazzo dei Guicciardini in Firenze$91539822 997 $aUNINA LEADER 00975nam a2200253 i 4500 001 991000317569707536 005 20020509164937.0 008 010704s1976 it ||| | ita 035 $ab11340745-39ule_inst 035 $aPARLA205947$9ExL 040 $aDip.to Filosofia$bita 082 0 $a111.85 100 1 $aRossi, Lino$074792 245 10$aSituazione dell'estetica in Italia :$buna ipotesi sullo sviluppo dell'estetica italiana contemporanea /$c[a cura di] Lino Rossi 260 $aTorino :$bParavia,$c1976 300 $aCCXCII, 236 p. ;$c23 cm. 440 3$aLa tradizione del nuovo. Antologie ;$v4 650 4$aEstetica$zItalia$xAntologie 907 $a.b11340745$b21-09-06$c01-07-02 912 $a991000317569707536 945 $aLE005IF XLV A 28$g1$iLE005IFA-14792$lle005$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11515168$z01-07-02 996 $aSituazione dell'estetica in Italia$9139857 997 $aUNISALENTO 998 $ale005$b01-01-01$cm$da $e-$fita$git $h0$i1 LEADER 05050nam 2201165 450 001 9910813674503321 005 20230126213231.0 010 $a0-520-95742-3 024 7 $a10.1525/9780520957428 035 $a(CKB)3710000000215261 035 $a(EBL)1710981 035 $a(SSID)ssj0001266340 035 $a(PQKBManifestationID)11728371 035 $a(PQKBTitleCode)TC0001266340 035 $a(PQKBWorkID)11248685 035 $a(PQKB)10908973 035 $a(StDuBDS)EDZ0000986071 035 $a(MiAaPQ)EBC1710981 035 $a(OCoLC)886107785 035 $a(MdBmJHUP)muse32308 035 $a(DE-B1597)520394 035 $a(OCoLC)1102800362 035 $a(DE-B1597)9780520957428 035 $a(Au-PeEL)EBL1710981 035 $a(CaPaEBR)ebr10909212 035 $a(CaONFJC)MIL637128 035 $a(EXLCZ)993710000000215261 100 $a20140830h20142014 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aShameless $ethe canine and the feminine in the ancient Greece : with a new preface and appendix /$fCristiana Franco ; translated by Matthew Fox 210 1$aOakland, California :$cUniversity of California Press,$d2014. 210 4$dİ2014 215 $a1 online resource (956 p.) 225 1 $aThe Joan Palevsky imprint in classical literature 300 $aBased on the author's thesis (doctoral)--Universita? di Siena. 311 0 $a1-322-05877-6 311 0 $a0-520-27340-0 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tPreface to the present edition --$tPrologue --$t1. Offensive Epithets --$t2. The Dog in Greece --$t3. Food for Dogs --$t4. Sad Fates, Low Morals, and Heinous Behaviors --$t5. Return to Pandora --$tConclusion --$tAppendix: Reflections on Theory and Method in Studying Animals in the Ancient World --$tAbbreviations --$tNotes --$tReferences --$tIndex 330 $aThe figure of the dog is a paradox. As in so many cultures, past and present, the dog in ancient Greece was seen as the animal closest to humans, even as it elicited from them the most negative representations. Still a loaded term today, the word bitch not only signified shamelessness and a lack of self-control but was also exclusively figured as female. Woman and dogs in the Greek imagination were intimately intertwined, and in this careful, engaging analysis, Cristiana Franco explores the ancients' complex relationship with both. By analyzing the relationship between humans and dogs as depicted in a vast array of myths, proverbs, spontaneous metaphors, and comic jokes, Franco in particular shows how the symbolic overlap between dog and woman provided the conceptual tools to maintain feminine subordination. Intended for general readers as well as scholars, Shameless extends the boundaries of classics and anthropology, forming a model of the sensitive work that can be done to illuminate how deeply animals are imbricated in human history. The English translation has been revised and expanded from the original Italian edition, and it includes a new methodological appendix by the author that points the way toward future work in the emerging field of human-animal studies. 410 0$aJoan Palevsky imprint in classical literature. 606 $aDogs$xMythology$zGreece 606 $aDogs in literature 606 $aWomen$xHistory$yTo 500 606 $aWomen (Greek law) 606 $aDogs in art 607 $aGreece$xSocial conditions 610 $aancient greece. 610 $aanimals. 610 $aanthropology. 610 $acanine. 610 $aclassical literature. 610 $acomic jokes. 610 $acomplex relationships. 610 $aconceptual tools. 610 $acritical analysis. 610 $acultural meaning. 610 $aculture. 610 $adogs. 610 $aenglish translation. 610 $afeminine subordination. 610 $afigure of the dog. 610 $agender and womens studies. 610 $agender studies. 610 $agender. 610 $agreek imagination. 610 $ahuman animal studies. 610 $ahuman history. 610 $ahumans and dogs. 610 $ametaphors. 610 $amethodology. 610 $amyth. 610 $amythology. 610 $amyths. 610 $anegative connotations. 610 $apast cultures. 610 $apresent cultures. 610 $aproverbs. 610 $aself control. 610 $aspiritual. 610 $awomen and dogs. 615 0$aDogs$xMythology 615 0$aDogs in literature. 615 0$aWomen$xHistory 615 0$aWomen (Greek law) 615 0$aDogs in art. 676 $a880.9/3522 700 $aFranco$b Cristiana$0524201 702 $aFox$b Matthew$g(Matthew Aaron), 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813674503321 996 $aShameless$94050680 997 $aUNINA