LEADER 01139nam0-2200349---450- 001 990005656980403321 005 20100614101206.0 035 $a000565698 035 $aFED01000565698 035 $a(Aleph)000565698FED01 035 $a000565698 100 $a19990604d1968----km-y0itay50------ba 101 0 $aspa 102 $aAR 105 $ay-------001yy 200 1 $a<>conciencia dramática$fMartín De Saralegui 210 $aBuenos Aires$cEdiciones Cables$dc1968 215 $a396 p.$d23 cm 300 $aVolume unico 327 0 $aPt. 1.: Introducción al invento de yo individual$aPt. 2.: El nacimiento de la óptica mental y la superación del arte abstracto 517 1 $aIntroducción al invento de yo individual 517 1 $a<>nacimiento de la óptica mental y la superación del arte abstracto 610 0 $aCoscienza 676 $a126 700 1$aSaralegui,$bMartfn : de$0401302 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a990005656980403321 952 $aP.1 PG 785$bIst. st. fil. 5018$fFLFBC 959 $aFLFBC 996 $aConciencia dramática$9600909 997 $aUNINA LEADER 04166nam 22006494a 450 001 9910454757503321 005 20200520144314.0 010 $a1-281-95919-7 010 $a9786611959197 010 $a0-226-07134-0 024 7 $a10.7208/9780226071343 035 $a(CKB)1000000000579775 035 $a(EBL)408429 035 $a(OCoLC)476229022 035 $a(SSID)ssj0000233022 035 $a(PQKBManifestationID)11191033 035 $a(PQKBTitleCode)TC0000233022 035 $a(PQKBWorkID)10219409 035 $a(PQKB)11235155 035 $a(StDuBDS)EDZ0000122019 035 $a(MiAaPQ)EBC408429 035 $a(DE-B1597)523390 035 $a(OCoLC)1135576079 035 $a(DE-B1597)9780226071343 035 $a(Au-PeEL)EBL408429 035 $a(CaPaEBR)ebr10265913 035 $a(CaONFJC)MIL195919 035 $a(EXLCZ)991000000000579775 100 $a20070409d2007 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aReading in the wilderness$b[electronic resource] $eprivate devotion and public performance in late medieval England /$fJessica Brantley 210 $aChicago $cUniversity of Chicago Press$d2007 215 $a1 online resource (491 p.) 300 $aDescription based upon print version of record. 311 $a0-226-07132-4 320 $aIncludes bibliographical references (p. [395]-448) and indexes. 327 $aIntroduction: The performance of reading -- "Silence visible" : Carthusian devotional reading and meditative practice -- Backgrounds : the Carthusian Order -- Carthusians and books -- Carthusians and art -- The shapes of eremitic reading in the desert of religion : the desert of religion as imagetext -- "ALS wildernes is wroght ?þis boke" : formats of monastic books -- Reading spiritual community in the wilderness -- Lyric imaginings and painted prayers -- The eremitic lyric and Richard Rolle -- Imagining the Carthusian reader -- Liturgical pageantry in private spaces -- Reading the liturgy : two models -- Performing the holy name -- Performing the canonical hours -- Performing the seven sacraments -- Envisioning dialogue in performance -- "In maner of a dyaloge it wente" -- Allegorical dialogues : the pylgremage of the soul -- Mystical dialogues : the treatise of the seven points -- Dramatizing the cell : theatrical performances in monastic reading -- Dramatic texts, lyric voices, and private readers -- Theatrical reading in additional 37049 -- Monastic closet drama -- Conclusion: Reading performances. 330 $aJust as twenty-first-century technologies like blogs and wikis have transformed the once private act of reading into a public enterprise, devotional reading experiences in the Middle Ages were dependent upon an oscillation between the solitary and the communal. 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Body against Spirit: Daniel Boyarin --$t2. Allegory and Embodiment: Boyarin and Origen --$t3. Spiritual Bodies: Origen --$t4. The Figure in the Fulfillment: Erich Auerbach --$t5. The Preservation of Historical Reality: Auerbach and Origen --$t6. The Present Occurrence of Past Events: Origen --$t7. The Literal Sense and Personal Identity: Hans Frei --$t8. Moses Veiled and Unveiled: Frei and Origen --$t9. Identity and Transformation: Origen --$tConclusion --$tAbbreviations --$tNotes --$tWorks Cited --$tGeneral Index --$tIndex Locorum 330 $aThis book makes an illuminating contribution to one of Christianity's central problems: the understanding and interpretation of scripture, and more specifically, the relationship between the Old Testament and the New. John David Dawson analyzes the practice and theory of "figural" reading in the Christian tradition of Biblical interpretation by looking at writings of Jewish and Christian thinkers, both ancient and modern, who have reflected on that form of traditional Christian Biblical interpretation. Dawson argues Christian interpretation of Hebrew scripture originally was, and should be, aimed at not reducing the Jewish meaning or replacing it but rather at building on it or carrying on from it. Dawson closely examines the work of three prominent twentieth-century thinkers who have offered influential variants of figural reading: Biblical scholar Daniel Boyarin, philologist and literary historian Erich Auerbach, and Christian theologian Hans Frei. Contrasting the interpretive programs of these modern thinkers to that of Origen of Alexandria, Dawson proposes that Origen exemplifies a kind of Christian reading that can respect Christianity's link to Judaism while also respecting the independent religious identity of Jews. Through a fresh study of Origen's allegorical interpretation, this book challenges the common charge that Christian non-literal reading of scripture necessarily undermines the literal meaning of the text. 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