LEADER 05913 am 22006493u 450 001 9910284440803321 005 20200220092755.0 010 $a1-78374-522-3 035 $a(CKB)4100000006520615 035 $a(MiAaPQ)EBC5527496 035 $a(WaSeSS)IndRDA00124802 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/50965 035 $a(EXLCZ)994100000006520615 100 $a20200622d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe juggler of Notre Dame and the medievalizing of modernity$hVolume 3$iThe American Middle Ages /$fJan M. Ziolkowski 210 $cOpen Book Publishers$d2018 210 1$aCambridge, England :$cOpen Book Publishers,$d2018. 215 $a1 online resource (482 pages) $cillustrations 311 $a1-78374-521-5 311 $a1-78374-523-1 320 $aIncludes bibliographical references and index. 327 $aIntro; Contents; Note to the Reader; 1. The Tumbling Worlds of Henry Adams; Adams Family; Great Scott! Sir Walter; Gothic Harvard; Photographic Memory; Reluctant Professor; Five of Hearts; Self-Made Medievalist; 2. Our Lady's Tumbler in Mont Saint Michel and Chartres; The Nature of the Book; Madonna of Medieval France, La Dona of Washington; Universal Exposition of 1900; Old Paris; Dynamo and Virgin Suicide; Henry Adams as Jongleur; Unity and Multiplicity; Medievalist Dream of a Dying DC Dynasty?; 3. Britain and the Making of the American Middle Ages; The Goth Side of Washington 327 $aGothic Landscaping: Picturesque PerfectTrees as Nature's Cathedrals; Collegiate Gothic Havens; Ivy League and Ivory Tower; 6. Point Taken: Gothic Modernism and the Modern Middle Ages; The Origins of Gothic Skyscrapers: Top That; The Cathedral of Commerce; The Tribune Tower; Giving Gothic: John D. Rockefeller Jr.; "Not a Cathedral-Building Age" and Thorstein Veblen; Seeing Chicago in Gray and White; Hooting at Yale Gothic; World War I and Modernism; Notes; Notes to Chapter 1; Notes to Chapter 2; Notes to Chapter 3; Notes to Chapter 4; Notes to Chapter 5; Notes to Chapter 6; Bibliography 327 $aGoths and the Meanings of Gothic(k)John Ruskin and William Morris; Richardsonian Romanesque; Saint John the Divine and Trinity Church; Cathedral Culture; Kenneth Clark; 4. The Boston Bohemians; Our Lady's Tumbler in Boston Bohemia; Charles Eliot Norton; The Knight Errant and Copeland & Day; Fred Holland Day; Ralph Adams Cram, Great Goth Almighty; Americanized Middle Ages; 5. The Rise of Collegiate Gothic; American Gothic Colleges: Ogive Talking; F. Scott Fitzgerald and the Gothic Jazz Age; Late Collegiate Gothic at Duke and Rhodes; Cathedrals of Learning 330 $aThis ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 3: The American Middle Ages hinges upon two figures influenced by the juggler: Henry Adams, scion of Presidents and distinguished cultural historian whose works contributed to the rise of medievalism in America during the Gilded Age, and Ralph Adams Cram, the architect whose vision of Gothic accounts directly or indirectly for the campuses of West Point, Princeton, Yale, Chicago, Notre Dame, and many other universities across America. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies. 606 $aMedievalism 606 $aCivilization, Medieval$xInfluence 610 $amedievalism 610 $amedieval studies 610 $aMiddle Ages 610 $aAmerican architecture 610 $aGothic architecture 610 $afolklore 610 $aart history 610 $aModernity 610 $aHenry Adams 610 $aliterary history 610 $aGothic reception in America 610 $areception studies 610 $aphilology 610 $aperformance studies 610 $aRalph Adams Cram 615 0$aMedievalism. 615 0$aCivilization, Medieval$xInfluence. 676 $a909.07 700 $aZiolkowski$b Jan M.$f1956-$0161415 801 0$bWaSeSS 801 1$bWaSeSS 906 $aBOOK 912 $a9910284440803321 996 $aThe juggler of Notre Dame and the medievalizing of modernity$91927734 997 $aUNINA