LEADER 02385nam  22006373a 450 
001 9910283536703321
005 20211214195617.0
035   $a(CKB)4100000005959411
035   $a(ScCtBLL)3f67c853-953a-4aa5-bdc7-4534ab144228
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/38653
035   $a(EXLCZ)994100000005959411
100   $a20211214i20182019  uu 
101 0 $aeng
135   $auru||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aSimone Verovio : $eMusic printing, intabulations and basso continuo in Rome around 1600 /$fMarkus Grassl, Augusta Campagne, Reinhard Kapp
210   $cBöhlau$d2018
210  1$a[s.l.] :$cBo?hlau,$d2018.
215   $a1 online resource (401 p.)
311   $a3-205-20718-1 
330   $aSimone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice.
606   $aMusic$2bisacsh
606   $aMusic
610   $aMusic
610   $aMusic History
610   $a16th Century
610   $a17th Century
610   $aPartituren
610   $aMusical Scores
610   $aMusikgeschichte
610   $aAVGC3
610   $aAVGC4
610   $aBaroque music (c. 1600 to c. 1750)
610   $aClassical music (c. 1750 to c. 1830)
610   $aBass (voice type)
610   $aCadence
610   $aCanzonetta
610   $aFigured bass
610   $aHarpsichord
610   $aIntabulation
610   $aLute
610   $aRome
615  7$aMusic
615  0$aMusic
700   $aCampagne$b Augusta$4auth
702   $aGrassl $b Markus
702   $aCampagne$b Augusta
702   $aKapp$b Reinhard
801  0$bScCtBLL
801  1$bScCtBLL
906   $aBOOK
912   $a9910283536703321
996   $aSimone Verovio$91929995
997   $aUNINA