LEADER 03890 am 22006373u 450 001 9910282955903321 005 20200214125513.0 010 $a1-78374-508-8 035 $a(CKB)4100000005819008 035 $a(MiAaPQ)EBC5495472 035 $a(WaSeSS)IndRDA00124801 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/32677 035 $a(EXLCZ)994100000005819008 100 $a20200622d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe juggler of Notre Dame and the medievalizing of modernity$hVolume 2$iMedieval meets medievaism /$fJan M. Ziolkowski 210 $cOpen Book Publishers$d2018 210 1$aCambridge, England :$cOpen Book Publishers,$d2018. 215 $a1 online resource (356 pages) 225 1 $a61a1d76e-63cc-4bcc-95ac-e21b6374c2a4 311 $a1-78374-507-X 311 $a1-78374-506-1 320 $aIncludes bibliographical references and index. 327 $a1. Tumbling Back into France, by Way of Philology -- 2. Notre Dame: The Virgin in Nineteenth-Century France -- 3. Franglais Juggling -- 4. Anatole France -- 5. Le Jongleur de Notre Dame. 330 $a"This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies." 606 $aMedievalism 606 $aCivilization, Medieval$xInfluence 610 $aThe Juggler of Notre Dame 610 $aMiddle Ages 610 $areception studies 610 $aModernity 610 $amedieval studies 610 $amedievalism 610 $aphilology 610 $aliterary history 610 $aart history 610 $afolklore 610 $aperformance studies 610 $aAnatole France 610 $aFrance 610 $aGaston Paris 610 $aParis 615 0$aMedievalism. 615 0$aCivilization, Medieval$xInfluence. 676 $a909.07 700 $aZiolkowski$b Jan M.$f1956-$0161415 801 0$bWaSeSS 801 1$bWaSeSS 906 $aBOOK 912 $a9910282955903321 996 $aThe juggler of Notre Dame and the medievalizing of modernity$91927734 997 $aUNINA