LEADER 04356nam 22005053a 450 001 9910282226303321 005 20250203235951.0 010 $a9781908857682 010 $a1908857684 035 $a(CKB)4100000005679619 035 $a(OAPEN)1000309 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/82927 035 $a(ScCtBLL)c2533095-fdfd-4343-86dd-c1bd2368a845 035 $a(OCoLC)1051780312 035 $a(MiAaPQ)EBC32154773 035 $a(Au-PeEL)EBL32154773 035 $a(oapen)doab82927 035 $a(NjHacI)994100000005679619 035 $a(EXLCZ)994100000005679619 100 $a20250203i20142020 uu 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRecasting commodity and spectacle in the indigenous Americas 205 $a1st ed. 210 $aLondon$cUniversity of London Press$d2020 210 1$a[s.l.] :$cInstitute of Latin American Studies,$d2014. 215 $a1 online resource (275) 311 08$a9781908857088 311 08$a1908857080 327 $aIntro -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- List of Figures -- ­­Notes on Contributors -- Acknowledgements -- Introduction: recasting commodity and spectacle in the indigenous Americas -- Helen Gilbert and Charlotte Gleghorn -- 1. 'Will making movies do the sheep any good?' The afterlife of Native American images -- Michelle H. Raheja -- 2. Modernity and the indigenous in centennial celebrations of independence in Mexico City, 1910 and 1921 -- Michael J. Gonzales -- 3. Indigeneity in the Oruro Carnival: official memory, Bolivian identity and the politics of recognition -- Ximena Córdova -- 4. Crafting contemporary indigeneity through audiovisual media in Bolivia -- Gabriela Zamorano Villarreal -- 5. Nora Naranjo-Morse's 'Always Becoming': enacting indigenous identity on a museum stage -- Andrea Zittlau -- 6. Performance, gestures and poses in postcards of Ho-Chunk in Wisconsin Dells -- Sarah Anne Stolte -- 7. Rethinking spectacle and indigenous consumption: commercial huayno music in Peru -- James Butterworth -- 8. Everyday work as spectacle: celebrating Maya-embodied culture in Belize -- Genner Llanes-Ortiz -- 9. Spectacle and discourse of decommoditisation in the construction of subaltern public spheres: the P'urhépecha New Year and P'urhéecherio -- Andrew Roth-Seneff -- 10. Performing and disputing indigeneity in the Fiesta del Coraza in Otavalo, Ecuador -- Sergio Miguel Huarcaya -- 11. Indigeneity, law and performance on the Atlantic Coast of Nicaragua -- Isabel Altamirano-Jiménez -- 12. What we talk about when we talk about Indian -- Yvette Nolan -- 13. Indigenous interventions at Klahowya Village, ?way?w ?y Vancouver/ unceded Coast Salish Territory -- Selena Couture -- _GoBack. 330 $aIndigenous artists frequently voice concerns over the commodification of their cultures, a process acutely felt by those living with the consequences of colonialism. This timely book, which features colour illustrations throughout, examines the ways in which contemporary indigenous peoples in different parts of the Americas have harnessed performance practices to resist imposed stereotypes and shape their own complex identities. Essays by leading academics and practitioners show the vibrancy of a wide array of indigenous arts and cultural events in the USA, Mexico, Peru, Bolivia, Canada, Nicaragua, Ecuador and Belize. As well as analysing performance idioms, the authors trace the circulation of creative products and practices as commodities, as cultural capital and/or as heritage. Making reference to aesthetic forms, intellectual property and political empowerment, these essays weigh the impact of music, festivities, film, photography, theatre and museum installations among diverse audiences and discuss ways in which spectacles of cultural difference are remodelled in the hands of indigenous practitioners. 606 $aCommodification 606 $aCommodification$xResearch 615 0$aCommodification. 615 0$aCommodification$xResearch. 676 $a305.897 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9910282226303321 996 $aRecasting commodity and spectacle in the Indigenous Americas$93036511 997 $aUNINA