LEADER 00890nam0-22002891--450- 001 990009268740403321 005 20101022134642.0 035 $a000926874 035 $aFED01000926874 035 $a(Aleph)000926874FED01 035 $a000926874 100 $a20101022d1948----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aLezioni di storia del diritto romano$eIntroduzione allo studio del diritto romano . Le origini di Roma. Appendice. La codificazione delle XII tavole 210 $aMessina$cV. Ferrara$d1948 215 $a80 p.$d23 cm 676 $a340.5$v11 rid.$zita 700 1$aRiccobono,$bSalvatore$0194448 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990009268740403321 952 $aBusta 1 (7) 11$b28506$fFGBC 959 $aFGBC 996 $aLezioni di storia del diritto romano$9773454 997 $aUNINA LEADER 03303nam 22006855 450 001 9910280791803321 005 20250609110118.0 010 $a3-319-64364-9 024 7 $a10.1007/978-3-319-64364-9 035 $a(CKB)4100000002892008 035 $a(MiAaPQ)EBC5447634 035 $a(DE-He213)978-3-319-64364-9 035 $a(PPN)225551306 035 $a(MiAaPQ)EBC5579758 035 $a(EXLCZ)994100000002892008 100 $a20180328d2017 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Topos of Music I: Theory $eGeometric Logic, Classification, Harmony, Counterpoint, Motives, Rhythm /$fby Guerino Mazzola 205 $a2nd ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2017. 215 $a1 online resource (675 pages) 225 1 $aComputational Music Science,$x1868-0305 311 08$a3-319-64363-0 327 $aPreface to the Second Edition -- Preface -- Part I Introduction and Orientation -- Part II Navigation on Concept Spaces -- Part III Local Theory -- Part IV Global Theory -- Part V Topologies for Rhythm and Motives -- Part VI Harmony -- Part VII Counterpoint. Part XXIV References and Index. 330 $aThis is the first volume of the second edition of the now classic book ?The Topos of Music?. The author explains the theory's conceptual framework of denotators and forms, the classification of local and global musical objects, the mathematical models of harmony and counterpoint, and topologies for rhythm and motives. 410 0$aComputational Music Science,$x1868-0305 606 $aMathematics 606 $aUser interfaces (Computer systems) 606 $aMusic 606 $aApplication software 606 $aPerforming arts 606 $aArt$xStudy and teaching 606 $aMathematics in Music$3https://scigraph.springernature.com/ontologies/product-market-codes/M33000 606 $aUser Interfaces and Human Computer Interaction$3https://scigraph.springernature.com/ontologies/product-market-codes/I18067 606 $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000 606 $aComputer Appl. in Arts and Humanities$3https://scigraph.springernature.com/ontologies/product-market-codes/I23036 606 $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030 606 $aCreativity and Arts Education$3https://scigraph.springernature.com/ontologies/product-market-codes/O11000 615 0$aMathematics. 615 0$aUser interfaces (Computer systems) 615 0$aMusic. 615 0$aApplication software. 615 0$aPerforming arts. 615 0$aArt$xStudy and teaching. 615 14$aMathematics in Music. 615 24$aUser Interfaces and Human Computer Interaction. 615 24$aMusic. 615 24$aComputer Appl. in Arts and Humanities. 615 24$aPerforming Arts. 615 24$aCreativity and Arts Education. 676 $a781.2 700 $aMazzola$b Guerino$4aut$4http://id.loc.gov/vocabulary/relators/aut$0283272 906 $aBOOK 912 $a9910280791803321 996 $aThe Topos of Music I: Theory$92538895 997 $aUNINA