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200 10$aIncapacity$b[electronic resource] $eWittgenstein, Anxiety, and Performance Behavior /$fSpencer Golub
210  1$aEvanston, Illinois :$cNorthwestern University Press,$d2014.
215   $a1 online resource (290 pages)
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-8101-2992-2 
320   $aIncludes bibliographical references and index.
327   $tIntroduction: thoughts thinking themselves --$tTractatus-illogico-philosophicus --$tWittgenstein's anatomy --$tCatastrophists --$tDoors of misperception --$tRules of the game --$tNon-sleeper agents --$tMasterminds --$tThe idiot's anxiety at the object's disappearance --$tHomeless.
330   $aIn this highly original study of the nature of performance, Spencer Golub uses the insights of Ludwig Wittgenstein into the way language works to analyze the relationship between the linguistic and the visual in the work of a broad range of dramatists, novelists, and filmmakers, among them Richard Foreman, Mac Wellman, Peter Handke, David Mamet, and Alfred Hitchcock. Like Wittgenstein, these artists are concerned with the limits of language's representational capacity. For Golub, it is these limits that give Wittgenstein's thought a further, very personal significancea??"its therapeutic quality with respect to the Obsessive Compulsive Disorder from which he suffers.    Underlying what Golub calls a???performance behaviora??_x009d_ is Wittgenstein's notion of a???pain behaviora??_x009d_a??"that which gives public expression to private experience. Golub charts new directions for exploring the relationship between theater and philosophy, and even for scholarly criticism itself.
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606   $aLanguage and languages$xPhilosophy
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615  0$aLiterature, Modern$xHistory and criticism.
615  0$aPerformance$xPhilosophy.
615  0$aLanguage and languages$xPhilosophy.
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