LEADER 03799nam 2200745Ia 450 001 9910782849103321 005 20230207230120.0 010 $a0-8166-6626-1 035 $a(CKB)1000000000723040 035 $a(EBL)433197 035 $a(OCoLC)318218376 035 $a(SSID)ssj0000252326 035 $a(PQKBManifestationID)11203403 035 $a(PQKBTitleCode)TC0000252326 035 $a(PQKBWorkID)10181041 035 $a(PQKB)10470233 035 $a(MiAaPQ)EBC433197 035 $a(MdBmJHUP)muse39862 035 $a(Au-PeEL)EBL433197 035 $a(CaPaEBR)ebr10277749 035 $a(CaONFJC)MIL526155 035 $a(EXLCZ)991000000000723040 100 $a20080409d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aStreet scenes$b[electronic resource] $estaging the self in immigrant New York, 1880-1924 /$fEsther Romeyn 210 $aMinneapolis $cUniversity of Minnesota Press$dc2008 215 $a1 online resource (308 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-4522-1 311 $a0-8166-4521-3 320 $aIncludes bibliographical references (p. 213-261) and index. 327 $apt. 1. The city as theater : performativity and urban space -- The epistemology of the city -- Detecting, acting, and the hierarchy of the social body -- Crossing the Bowery : female slumming and the theater of urban space -- Eros and Americanization : the rise of David Levinsky, or the etiquette of race and sex -- pt. 2. Stages of identity : performing ethnic subjects -- Juggling identities : the case of an Italian American clown -- My other/my self : impersonation and the rehearsal of otherness -- The truth of racial signs : civilizing the Jewish comic -- Blackface, Jewface, whiteface : racial impersonation revisited. 330 $aThe turn of the twentieth century in New York City was characterized by radical transformation as the advent of consumer capitalism confronted established social hierarchies, culture, and conceptions of selfhood. The popular stage existed in a symbiotic relationship with the city and uniquely captured the contested terms of immigrant identity of the time. Street Scenes focuses on the intersection of modern city life and stage performance. From street life and slumming to vaudeville and early cinema, to Yiddish theater and blackface comedy, Esther Romeyn discloses racial comedy, passing, and ma 606 $aCity and town life$zNew York (State)$zNew York$xHistory 606 $aEthnicity$zNew York (State)$zNew York$xHistory 606 $aImmigrants$zNew York (State)$zNew York$xIntellectual life 606 $aImmigrants$zNew York (State)$zNew York$xSocial conditions 606 $aMinorities$zNew York (State)$zNew York$xIntellectual life 606 $aMinorities$zNew York (State)$zNew York$xSocial conditions 606 $aPerforming arts$xSocial aspects$zNew York (State)$zNew York$xHistory 606 $aSelf$zNew York (State)$zNew York$xHistory 607 $aNew York (N.Y.)$xEthnic relations 607 $aNew York (N.Y.)$xIntellectual life 615 0$aCity and town life$xHistory. 615 0$aEthnicity$xHistory. 615 0$aImmigrants$xIntellectual life. 615 0$aImmigrants$xSocial conditions. 615 0$aMinorities$xIntellectual life. 615 0$aMinorities$xSocial conditions. 615 0$aPerforming arts$xSocial aspects$xHistory. 615 0$aSelf$xHistory. 676 $a305.8009747/10903 676 $a792.097471 700 $aRomeyn$b Esther$01523084 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782849103321 996 $aStreet scenes$93763159 997 $aUNINA LEADER 04586oam 22009134a 450 001 9910279734203321 005 20230621135726.0 010 $a0-520-96810-7 024 7 $a10.1525/luminos.51 035 $a(CKB)4100000005044143 035 $a(OAPEN)1000229 035 $a(DE-B1597)539693 035 $a(OCoLC)1021064448 035 $a(DE-B1597)9780520968103 035 $a(MdBmJHUP)muse72953 035 $a(ScCtBLL)e02a34df-50f6-4390-ade3-2cf51262f3fb 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/36557 035 $a(EXLCZ)994100000005044143 100 $a20180129h20182018 uy 0 101 0 $aeng 135 $aurmu#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aParameters of Disavowal$eColonial Representation in South Korean Cinema /$fJinsoo An 210 $aOakland$cUniversity of California Press$d2018 210 1$aBerkeley, CA : $cUniversity of California Press, $d[2018] 210 4$dİ2018 215 $a1 online resource (ix, 189 pages) $cillustrations; PDF, digital file(s) 225 0 $aGlobal Korea ;$v1 311 08$aPrint version: 9780520295308 320 $aIncludes bibliographical references and index. 327 $aUnder the banner of nationalism : the changing imagery of anti-colonial leadership -- Reckoning and cooperation : film and the Waesaek ("Japanese color") controversies of the 1960s -- The Manchurian action film : a new anti-colonial imaginary in the Cold War context -- In the colonial zone of contact : Kisaeng and gangster films -- Horror and revenge : return of the repressed colonial violence -- Coda : after 2000. 330 $a"The colonial experience of the twentieth century from 1910 to 1945 shaped the culture and identity of Korea, yet the manner in which South Korean postcolonial cinema depicts this troubling past has not received sufficient scholarly attention. Parameters of Disavowal seeks to break this hiatus. It approaches the subject of the colonial past in South Korean cinema as a particular kind of postcolonial knowledge production that responds to the repercussions of Cold War geopolitics while also subscribing to the precept of anticolonial nationalism. It advances beyond manifest readings of anticolonial messages by examining how postcolonial cinema not only posits, but also constructs Korean national history through disavowals and elisions of the very past they wish to represent. In particular, this book focuses on how South Korean films have created ways of seeing and imagining the colonial past by privileging certain Korean sites as spaces generating unique meanings and values contrary to the assumed total domination of the colonial power. These films thereby inscribe colonial power within parameters of disavowal, ultimately rendering it delimited, incomplete, and flawed. This unique cinematic mode of visualization, the author argues, has shaped historical thinking about Korea's colonial past and demands further investigation of the relationship between politics and aesthetics in cinema"--Provided by publisher. 410 0$aGlobal Korea ;$v1. 606 $aNationalism in motion pictures$y20th century 606 $aImperialism in motion pictures$y20th century 606 $aMotion pictures$zKorea (South)$xHistory$y20th century 608 $aElectronic books. 610 $a1900s. 610 $a20th century. 610 $aacademic. 610 $aanticolonial. 610 $acinema. 610 $acold war. 610 $acolonial. 610 $acultural identity. 610 $aearly 20th century. 610 $ageopolitics. 610 $aimperialism. 610 $akorea. 610 $akorean cinema. 610 $akorean history. 610 $akorean. 610 $aluminos. 610 $anational history. 610 $anationalism. 610 $anatural history. 610 $apolitics. 610 $apostcolonial cinema. 610 $apostcolonial film. 610 $apostcolonial. 610 $ascholarly. 610 $asouth korea. 610 $asouth korean history. 610 $awartime. 610 $awwi. 610 $awwii. 615 0$aNationalism in motion pictures 615 0$aImperialism in motion pictures 615 0$aMotion pictures$xHistory 676 $a791.430951/95 700 $aAn$b Jinsoo$f1968-$01022169 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910279734203321 996 $aParameters of Disavowal$92427859 997 $aUNINA