LEADER 00777cam0 2200253 450 001 000008079 005 20190311100242.0 100 $a20070712d1945----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aArchitettura navale$egeometria e statica delle navi$fMario Gleijeses 210 $aNapoli$cEPSA Editrice Politecnica S.A.$d1945 215 $a2 v.$aVII, 1161 p.$cTabelle e grafici$d26 cm 410 0$12001 610 1 $aCostruzioni navali 676 $a623.21$v20 700 1$aGleijeses,$bMario$0331182 801 0$aIT$bUNIPARTHENOPE$gRICA$2UNIMARC 912 $a000008079 951 $aDEP III-0063(1)$b5882$cNAVA1$d2008 951 $aDEP III-0063 (2)$b6956$cNAVA1 996 $aArchitettura navale$9107889 997 $aUNIPARTHENOPE LEADER 02730 am 2200529 n 450 001 9910275043803321 005 20171211 010 $a2-87854-810-8 035 $a(CKB)4100000003667402 035 $a(FrMaCLE)OB-psn-6089 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/61008 035 $a(PPN)225782227 035 $a(EXLCZ)994100000003667402 100 $a20180314j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTopographies du souvenir $e« Le Livre des passages » de Walter Benjamin /$fBernd Witte 210 $aParis $cPresses Sorbonne Nouvelle$d2017 215 $a1 online resource (192 p.) 311 $a2-87854-373-4 330 $aLes passages de Paris, lieux de mémoire de la « capitale du XIXe siècle », haut lieu du capitalisme triomphant, ont été au centre des recherches et réflexions de Walter Benjamin durant son exil en France dans les années 1930. Publié pour la première fois en 1982, le Livre des passages, oeuvre foisonnante et inachevée est devenu un véritable mythe, mine inépuisable de matériaux pour la recherche universitaire et lieu de convergence de tous les discours postmodernes. First published in 1982, «The Arcades Project», a profuse and unfinished work, has become a true myth. It is an inexhaustible mine of materials for academic research and a place of convergence of all postmodern discourses. This volume?s contributions explore a few of the countless reading and reflection perspectives opened by this atypical book. It is itself an «arcade» where the remains of a vanished past illuminate our present and announce the future. 606 $aArchitecture$zFrance$zParis$xHistory$y19th century 607 $aParis (France)$xSocial life and customs$y19th century 607 $aEurope$xCivilization$y19th century 610 $aGerman literature$a20th century$aCriticism 615 0$aArchitecture$xHistory 700 $aBrüggemann$b Heinz$0195764 701 $aDeuber-Mankowsky$b Astrid$01247157 701 $aGagnebin$b Jeanne-Marie$01313971 701 $aGentili$b Dario$0496268 701 $aGoebel$b Rolf$01313972 701 $aLindner$b Burkhardt$0444555 701 $aLoewy$b Michaël$0401330 701 $aNitsche$b Jessica$01313973 701 $aRiot-Sarcey$b Michèle$0506355 701 $aVan Reijen$b Willem$01313974 701 $aWitte$b Bernd$0156294 701 $aWohlfahrt$b Irving$01313975 701 $aWitte$b Bernd$0156294 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910275043803321 996 $aTopographies du souvenir$93031558 997 $aUNINA LEADER 02675nam 22005295 450 001 9910272354403321 005 20210310190628.0 010 $a9781501722813 010 $a1501722816 024 7 $a10.7591/9781501722813 035 $a(CKB)4340000000258192 035 $a(MiAaPQ)EBC5317498 035 $a(DE-B1597)496448 035 $a(OCoLC)1028953280 035 $a(DE-B1597)9781501722813 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/89092 035 $a(Perlego)566012 035 $a(oapen)doab89092 035 $a(EXLCZ)994340000000258192 100 $a20180924d2018 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFranz Kafka $eThe Necessity of Form /$fStanley Corngold 210 $cCornell University Press$d2018 210 1$aIthaca, NY :$cCornell University Press,$d[2018] 210 4$d©1990 215 $a1 online resource (321 pages) 300 $aIncludes index. 311 08$a9781501727795 311 08$a1501727796 311 08$a9781501722820 311 08$a1501722824 327 $tFrontmatter --$tContents --$tPreface --$tAcknowledgments --$tAbbreviations for Kafka Citations --$tIntroduction --$tPART I KAFKA'S CAREER --$tPART II Kafka's C ontext --$tExcursus on Method --$tIndex 330 $aIn Stanley Corngold's view, the themes and strategies of Kafka's fiction are generated by a tension between his concern for writing and his growing sense of its arbitrary character. Analyzing Kafka's work in light of "the necessity of form," which is also a merely formal necessity, Corngold uncovers the fundamental paradox of Kafka's art and life. The first section of the book shows how Kafka's rhetoric may be understood as the daring project of a man compelled to live his life as literature. In the central part of the book, Corngold reflects on the place of Kafka within the modern tradition, discussing such influential precursors of Cervantes, Flaubert, and Nietzsche, whose works display a comparable narrative disruption. Kafka's distinctive narrative strategies, Corngold points out, demand interpretation at the same time they resist it. Critics of Kafka, he says, must be aware that their approaches are guided by the principles that Kafka's fiction identifies, dramatizes, and rejects. 606 $aAuthors, Austrian$y20th century$vBiography 615 0$aAuthors, Austrian 676 $a833/.912 B 700 $aCorngold$b Stanley$0446214 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910272354403321 996 $aFranz Kafka$92719558 997 $aUNINA