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010   $a1-5017-2001-5
024 7 $a10.7591/9781501720017
035   $a(CKB)4340000000258226
035   $a(MiAaPQ)EBC5317533
035   $a(DE-B1597)496379
035   $a(OCoLC)1028955395
035   $a(DE-B1597)9781501720017
035   $a(EXLCZ)994340000000258226
100   $a20180924d2018      fg              
101 0 $aeng
135   $aurcnu||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aMadame Bovary on Trial /$fDominick LaCapra
210  1$aIthaca, NY :$cCornell University Press,$d[2018]
210  4$dİ1986
215   $a1 online resource (219 pages)
300   $aIncludes index.
311   $a1-5017-2798-2 
311   $a0-8014-9361-7 
327   $tFrontmatter --$tContents --$tPreface --$t1 A Problem in Reading --$t2 The Trial --$t3 From Trial to Text --$t4. Flaubert's Projects: Pure Art and Carnivalization --$t5. Dual Style --$t6. Narrative Practice and Free Indirect Style --$t7. Selected Passages --$t8. Aspects of the Novel --$t9. Conclusion --$tIndex
330   $aIn 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "outrage to public morality and religion." Dominick LaCapra, an intellectual historian with wide-ranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flaubert's correspondence, the work of literary critics, and Jean-Paul Sartre's analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.
606   $aLITERARY CRITICISM / European / French$2bisacsh
615  7$aLITERARY CRITICISM / European / French.
676   $a843/.8
700   $aLaCapra$b Dominick$0122081
801  0$bDE-B1597
801  1$bDE-B1597
906   $aBOOK
912   $a9910272352203321
996   $aMadame Bovary on Trial$92719489
997   $aUNINA