LEADER 00869nam0-2200301---450- 001 990008590750403321 005 20071130084421.0 010 $a88-14-13565-7 035 $a000859075 035 $aFED01000859075 035 $a(Aleph)000859075FED01 035 $a000859075 100 $a20071130d2007----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $a--------001yy 200 1 $a<>diritti di controllo del socio nella S.R.L.$fRolandino Guidotti 210 $aMilano$cGiuffrè$d2007 215 $aXVII, 252 p.$d24 cm 225 1 $aQuaderni di Giurisprudenza commerciale$v303 700 1$aGuidotti,$bRolandino$0502846 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008590750403321 952 $a13-CB-897$b14406$fDDCP 959 $aDDCP 996 $aDiritti di controllo del socio nella S.R.L$9713203 997 $aUNINA LEADER 03277nam 22005055 450 001 9910272350403321 005 20210405144835.0 010 $a1-5017-2795-8 010 $a1-5017-2631-5 024 7 $a10.7591/9781501726316 035 $a(CKB)4340000000258197 035 $a(MiAaPQ)EBC5317503 035 $a(DE-B1597)496608 035 $a(OCoLC)1028953776 035 $a(DE-B1597)9781501726316 035 $a(EXLCZ)994340000000258197 100 $a20180924d2018 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe Other Side of the Story $eStructures and Strategies of Contemporary Feminist Narratives /$fMolly Hite 210 1$aIthaca, NY :$cCornell University Press,$d[2018] 210 4$d©1992 215 $a1 online resource (172 pages) 300 $aIncludes index. 311 $a0-8014-2164-0 311 $a1-5017-2632-3 327 $tFrontmatter --$tContents --$tAcknowledgments --$tIntroduction --$t1 Writing in the Margins: Jean Rhys --$t2 The Future in a Different Shape: Broken Form and Possibility in The Golden Notebook --$t3 Romance, Marginality, Matrilineage: The Color Purple --$t4 Other Side, Other Woman: Lady Oracle --$tIndex 330 $aIn a book that compares Virginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One's Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins's work.Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf's modernist novels. In Woolf's Ambiguities, she argues that the greatest formal innovation in Woolf's fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf's narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-novel" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments. 606 $aEnglish fiction$xWomen authors$xHistory and criticism 606 $aEnglish fiction$y20th century$xHistory and criticism 606 $aFeminism and literature$xHistory$y20th century 615 0$aEnglish fiction$xWomen authors$xHistory and criticism. 615 0$aEnglish fiction$xHistory and criticism. 615 0$aFeminism and literature$xHistory 676 $a823/.914/099287 700 $aHite$b Molly$0549085 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910272350403321 996 $aThe Other Side of the Story$92585855 997 $aUNINA