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035   $a(DE-B1597)496526
035   $a(OCoLC)1028950596
035   $a(DE-B1597)9781501726354
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/89125
035   $a(Perlego)566073
035   $a(oapen)doab89125
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101 0 $aeng
135   $aurcnu||||||||
181   $2rdacontent
182   $2rdamedia
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200 10$aSignature Pieces $eOn the Institution of Authorship /$fPeggy Kamuf
210   $cCornell University Press$d2018
210  1$aIthaca, NY :$cCornell University Press,$d[2018]
210  4$d©1988
215   $a1 online resource (237 pages)
311 08$a9780801422096 
311 08$a0801422094 
311 08$a9781501726378 
311 08$a1501726374 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter --$tContents --$tPreface --$tINTRODUCTION. A Single Line Divided --$tPART I. ROUSSEAU AND THE MODERN SIGNATURE --$tCHAPTER ONE. The Name of a Problem --$tCHAPTER TWO. Contracting the Signature --$tCHAPTER THREE. Author of a Crime --$tCHAPTER FOUR. Seeing through Rousseau --$tCONCLUSION. End piece --$tPART II. NO ONE SIGNS FOR THE OTHER --$tCHAPTER FIVE. Baudelaire au feminin --$tCHAPTER SIX. Penelope at Work --$tPART III. RESISTANCE THEORIES --$tCHAPTER SEVEN. Floating Authorship --$tCHAPTER EIGHT. Pieces of Resistance --$tWorks Cited --$tIndex
330   $aSome contemporary approaches to literature still accept the separation of historical, biographical, external concerns from formal, internal ones. On the borderline that lends this division between inside and outside its apparent coherence is signature. In Peggy Kamuf's view, studying signature will help us to rediscover some of the stakes of literary writing beyond the historicist/formalist opposition. Drawing on Derrida's extensive work on signatures and proper names, Kamuf investigates authorial signature in key writers from Rousseau to Woolf, as well as the implications of signature for the institutions of authorship and criticism.
606   $aAuthorship
615  0$aAuthorship.
676   $a801/.9
700   $aKamuf$b Peggy$0251640
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801  1$bDE-B1597
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