LEADER 03241nam 22005051a 450 001 9910272345603321 005 20180307131402.0 010 $a1-350-00328-X 010 $a1-350-00330-1 010 $a1-350-00329-8 024 7 $a10.5040/9781350003309 035 $a(CKB)4100000004244596 035 $a(MiAaPQ)EBC5352752 035 $a(MiAaPQ)EBC6160006 035 $a(OCoLC)1031368033 035 $a(UtOrBLW)bpp09261810 035 $a(ScCtBLL)4cc76b03-7d65-4c19-84dc-011110bbacc7 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/34989 035 $a(OCoLC)1229586102 035 $a(EXLCZ)994100000004244596 100 $a20180409d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMartin Scorsese's divine comedy $emovies and religion /$fCatherine O'Brien 210 $aLondon ;$aNew York, NY $cBloomsbury Academic$d2018 215 $a1 online resource (223 pages) 311 $a1-350-14160-7 311 $a1-350-00327-1 320 $aIncludes bibliographical references and index. 320 $aIncludes filmography. 327 $aAcknowledgments -- Introduction -- Part One. Inferno: Visions of Hell. 1. Hell on Earth ; 2. Sympathy for the Devil ; 3. Treachery -- Part Two. Purgatory: The Three Story Mountain. 4. Misdirected love ; 5. Insufficient love ; 6. Excessive love -- Part Three. Paradise: (Lost or Found?). 7. Encountering Jesus ; 8. The compassion connection ; 9. The mystery of God's love -- Conclusion -- Bibliography -- Filmography -- Index. 330 $a"Catherine O'Brien draws on the structure of Dante Alighieri's Divine Comedy to explore Martin Scorsese's feature films from Who's That Knocking at My Door (1967-69) to Silence (2016). This is the first full-length study to focus on the trajectory of faith and doubt during this period, taking very seriously the oft-quoted words of the director himself: 'My whole life has been movies and religion. That's it. Nothing else.' Films discussed include GoodFellas, The Last Temptation of Christ, Taxi Driver and Mean Streets, as well as the more recent The Wolf of Wall Street. In Dante's poem in 100 cantos, the Pilgrim is guided by the poet Virgil down through the circles of Hell in Inferno; he then climbs the steep Mountain of the Seven Deadly Sins in Purgatory; and he finally encounters God in Paradise. Embracing this popular analogy, this study envisions Scorsese as a contemporary Dante, with his filmic oeuvre offering the dimensions of a cinematic Divine Comedy. Drawing on debates at the heart of religious studies, theology, literature and film, this book goes beyond existing explorations of religion in Scorsese's work to address issues of sin and salvation within the context of wider debates in eschatology and the afterlife."--Bloomsbury Publishing. 606 $aReligion in motion pictures 615 0$aReligion in motion pictures. 676 $a791.4302/33092 700 $aO'Brien$b Catherine$f1962-$0852364 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910272345603321 996 $aMartin Scorsese's divine comedy$91903421 997 $aUNINA