LEADER 03260nam 2200589Ia 450 001 9910269345903321 005 20200520144314.0 010 $a1-283-16270-9 010 $a9786613162700 010 $a1-84150-452-1 035 $a(CKB)2560000000072746 035 $a(EBL)685162 035 $a(OCoLC)714572256 035 $a(SSID)ssj0000535032 035 $a(PQKBManifestationID)11364412 035 $a(PQKBTitleCode)TC0000535032 035 $a(PQKBWorkID)10518646 035 $a(PQKB)11464055 035 $a(Au-PeEL)EBL685162 035 $a(CaPaEBR)ebr10465913 035 $a(CaONFJC)MIL316270 035 $a(ScCtBLL)bec562d2-e4d3-4530-b372-5fbde49b5d3a 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/29968 035 $a(MiAaPQ)EBC685162 035 $a(EXLCZ)992560000000072746 100 $a20101015d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe cinema of Mika Kaurismaki $etransvergent cinescapes, emergent identities /$fPietari Kaapa 205 $a1st ed. 210 $aBristol, UK ;$aChicago $cIntellect$d2011 215 $a1 online resource (210 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-409-2 320 $aIncludes bibliographical references. 327 $aFront Cover; Preliminary Pages; Contents; Acknowledgements; Introduction: The (trans)national and the Global in Mika Kaurisma?ki's Films; Chapter 1: The Aki/Mika Syndrome: Cosmopolitan Auteurism and the Search for Cinematic Stability; Chapter 2: Cross-genre: Transnational Genre Mutations; Chapter 3: Mapping Transnational Space at the Margins of the Global Metropolis: Representations of the City in Kaurisma?ki's Films; Chapter 4: Post-road: Deconstructing the European Road Movie; Chapter 5: Auto-ethnography: Merging the Self and 'Other' in Brazilian Music Documentaries 327 $aChapter 6: Post-nation: Kaurisma?ki's Films in a Global SpectrumChapter 7: The Potential of Post-humanism: Kaurisma?ki and the Ecological Imagination; Chapter 8: The Polyphonality of Transvergence: The Reception of Kaurisma?ki's Cinema; Conclusion: Beyond the Happy Ending; Bibliography; Back Cover 330 $aMika Kaurisma?ki's films challenge many boundaries - national societies, genre formations, art/popular culture, fiction/documentary, humanity/nature, and problematic distinctions between different zones of development. Synthesizing concepts from a range of thematic frameworks - e.g. auteurism, eco-philosophy, genre, cartography, cineaste networks, global reception, distribution and exhibition practices, and the potential of postnationalism - this book provides an interdisciplinary reading of Kaurisma?ki's cinema. The notion of 'transvergence' - of thinking in heterogeneous and polyphonal terms - 606 $aMotion pictures$xProduction and direction$zFinland 615 0$aMotion pictures$xProduction and direction 676 $a791.430233092 700 $aKaapa$b Pietari$f1977-$00 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910269345903321 996 $aThe cinema of Mika Kaurisma?ki$92024611 997 $aUNINA