LEADER 02348nam 22005173a 450 001 9910264054303321 005 20250204000226.0 010 $a9781785420535 010 $a1785420534 035 $a(CKB)4100000002831259 035 $a(OAPEN)646116 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26263 035 $a(ScCtBLL)ec6f1df3-e4ce-4766-ab42-0efa38a391a3 035 $a(OCoLC)1147259111 035 $a(oapen)doab26263 035 $a(EXLCZ)994100000002831259 100 $a20250204i20182020 uu 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aGathering Ecologies$fAndrew Goodman 210 $cOpen Humanities Press$d2018 210 1$a[s.l.] :$cOpen Humanities Press,$d2018. 215 $a1 online resource (347) 225 1 $aImmediations serie 311 08$a9781785420528 311 08$a1785420526 330 $aWhat might an interactive artwork look like that enabled greater expressive potential for all of the components of the event? How can we radically shift our idea of interactivity towards an ecological conception of the term, emphasising the generation of complex relation over the stability of objects and subjects? Gathering Ecologies explores this ethical and political shift in thinking, examining the creative potential of differential relations through key concepts from the philosophies of A.N. Whitehead, Gilbert Simondon and Michel Serres. Utilising detailed examinations of work by artists such as Lygia Clark, Rafael Lozano-Hemmer, Nathaniel Stern and Joyce Hinterding, the book discusses the creative potential of movement, perception and sensation, interfacing, sound and generative algorithmic design to tune an event towards the conditions of its own ecological emergence. 606 $aEcological science, the Biosphere$2bicssc 610 $ainteractivity 610 $aecologies 610 $aConcrescence 610 $aGilbert Simondon 610 $aImmanence 610 $aIndividuation 610 $aParasitism 615 7$aEcological science, the Biosphere 700 $aGoodman$b Andrew$0778245 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9910264054303321 996 $aGathering Ecologies$92145238 997 $aUNINA