LEADER 04397oam 2200853 c 450 001 9910263843103321 005 20220221094418.0 010 $a3-8394-3762-8 035 $a(CKB)4100000002744002 035 $a(OAPEN)645359 035 $a(DE-B1597)481342 035 $a(OCoLC)1046617096 035 $a(DE-B1597)9783839437629 035 $a(ScCtBLL)d30f4130-cb4f-41d3-9d83-dba5765bfd85 035 $a(MiAaPQ)EBC6755797 035 $a(Au-PeEL)EBL6755797 035 $a(transcript Verlag)9783839437629 035 $a(MiAaPQ)EBC6955943 035 $a(Au-PeEL)EBL6955943 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/33245 035 $a(MiAaPQ)EBC30591628 035 $a(Au-PeEL)EBL30591628 035 $a(EXLCZ)994100000002744002 100 $a20220221d2018 uy 0 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFaking, Forging, Counterfeiting$eDiscredited Practices at the Margins of Mimesis$fDaniel Becker, Annalisa Fischer, Yola Schmitz, Simone Niehoff, Florencia Sannders 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2018 215 $a1 online resource 225 0 $aEdition Kulturwissenschaft$v128 311 $a3-8376-3762-X 327 $aFrontmatter 1 Table of Contents 5 Preface 7 Six Degrees of Separation 11 Forgery: The Art of Deception 41 The Artist and the Mountebank 59 Aping the Master 77 Fracture, Facture and the Collecting of Islamic Art 91 Shape-shifters of Transculturation 111 Fake Supreme 127 Reflections on Plagiarism in Jorge Luis Borgess Works 139 "I have chosen to write notes on imaginary books" 153 Faked Translations 167 Creating a Cult, Faking Relics 181 Desiring Fakes 199 Unmasking the Fake 223 Contributors 239 Illustration Credits 243 330 $aForgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation. 410 0$aEdition Kulturwissenschaft 606 $aForgery; Culture; Cultural Transfer; Translation; Imitation; Original; Copy; Aesthetic Practice; Creativity; Faked Tradition; Pseudotranslation; Imposter; Identity Theft; Hoax; Cultural History; Art; Literature; Theory of Art; General Literature Studies; Media Aesthetics; Cultural Studies; 610 $aAesthetic Practice. 610 $aArt. 610 $aCopy. 610 $aCreativity. 610 $aCultural History. 610 $aCultural Studies. 610 $aCultural Transfer. 610 $aCulture. 610 $aFaked Tradition. 610 $aGeneral Literature Studies. 610 $aHoax. 610 $aIdentity Theft. 610 $aImitation. 610 $aImposter. 610 $aLiterature. 610 $aMedia Aesthetics. 610 $aOriginal. 610 $aPseudotranslation. 610 $aTheory of Art. 610 $aTranslation. 615 4$aForgery; Culture; Cultural Transfer; Translation; Imitation; Original; Copy; Aesthetic Practice; Creativity; Faked Tradition; Pseudotranslation; Imposter; Identity Theft; Hoax; Cultural History; Art; Literature; Theory of Art; General Literature Studies; Media Aesthetics; Cultural Studies; 676 $a700 686 $aEC 1960$2rvk 700 $aBecker$b Daniel$4edt$01312911 701 $aNiehoff$b Simone$0868165 701 $aSannders$b Florencia$0868166 702 $aBecker$b Daniel$4edt 702 $aFischer$b Annalisa$4edt 702 $aSchmitz$b Yola$4edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910263843103321 996 $aFaking, Forging, Counterfeiting$94133220 997 $aUNINA