LEADER 02005nam 2200565Ia 450 001 9910782238503321 005 20230511233344.0 010 $a1-281-80251-4 010 $a9786611802516 010 $a0-567-14724-X 035 $a(CKB)1000000000542228 035 $a(EBL)436527 035 $a(OCoLC)276358630 035 $a(SSID)ssj0000153684 035 $a(PQKBManifestationID)11163981 035 $a(PQKBTitleCode)TC0000153684 035 $a(PQKBWorkID)10393474 035 $a(PQKB)10274793 035 $a(MiAaPQ)EBC436527 035 $a(Au-PeEL)EBL436527 035 $a(CaPaEBR)ebr10250594 035 $a(CaONFJC)MIL180251 035 $a(EXLCZ)991000000000542228 100 $a19800825d1980 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe fate of King Saul $ean interpretation of a Biblical story /$fDavid M. Gunn 210 1$aSheffield, England :$cJSOT Press,$d1980. 215 $a1 online resource (182 pages) 225 1 $aJournal for the study of the Old Testament. Supplement series,$x0309-0787 ;$v14 300 $aDescription based upon print version of record. 311 0 $a0-905774-63-9 320 $aIncludes bibliography and indexes. 327 $aCONTENTS; PREFACE; Introduction: BIBLICAL STORY AND LITERARY CRITIC; PART ONE: SETTING THE SCENE; PART TWO: THE STORY; PART THREE: REFLECTIONS; NOTES, BIBLIOGRAPHY, INDEXES; Bibliography; Abbreviations; Index of Authors; Passages in Samuel; Subjects 410 0$aJournal for the study of the Old Testament.$pSupplement series ;$v14. 606 $aJews$xKings and rulers 615 0$aJews$xKings and rulers. 676 $a222.4092 676 $a222/.4092 700 $aGunn$b D. M$g(David M.)$0876991 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782238503321 996 $aThe fate of King Saul$93678138 997 $aUNINA LEADER 04933oam 2201153 c 450 001 9910263843103321 005 20260102090118.0 010 $a9783839437629 010 $a3839437628 035 $a(CKB)4100000002744002 035 $a(OAPEN)645359 035 $a(DE-B1597)481342 035 $a(OCoLC)1046617096 035 $a(DE-B1597)9783839437629 035 $a(ScCtBLL)d30f4130-cb4f-41d3-9d83-dba5765bfd85 035 $a(MiAaPQ)EBC6755797 035 $a(Au-PeEL)EBL6755797 035 $a(transcript Verlag)9783839437629 035 $a(MiAaPQ)EBC6955943 035 $a(Au-PeEL)EBL6955943 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/33245 035 $a(MiAaPQ)EBC30591628 035 $a(Au-PeEL)EBL30591628 035 $a(Perlego)1461610 035 $a(oapen)doab47359 035 $a(oapen)doab33245 035 $a(EXLCZ)994100000002744002 100 $a20260102d2018 uy 0 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFaking, Forging, Counterfeiting$eDiscredited Practices at the Margins of Mimesis$fDaniel Becker, Annalisa Fischer, Yola Schmitz, Simone Niehoff, Florencia Sannders 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2018 215 $a1 online resource 225 0 $aEdition Kulturwissenschaft 311 08$a9783837637625 311 08$a383763762X 327 $aFrontmatter 1 Table of Contents 5 Preface 7 Six Degrees of Separation 11 Forgery: The Art of Deception 41 The Artist and the Mountebank 59 Aping the Master 77 Fracture, Facture and the Collecting of Islamic Art 91 Shape-shifters of Transculturation 111 Fake Supreme 127 Reflections on Plagiarism in Jorge Luis Borgess Works 139 "I have chosen to write notes on imaginary books" 153 Faked Translations 167 Creating a Cult, Faking Relics 181 Desiring Fakes 199 Unmasking the Fake 223 Contributors 239 Illustration Credits 243 330 $aForgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices ? creative acts in themselves ? rather than as mere rip-offs of an original work of art.The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation. 410 0$aEdition Kulturwissenschaft 517 2 $aBecker et al. (eds.), Faking, Forging, Counterfeiting$eDiscredited Practices at the Margins of Mimesis 606 $aForgery 606 $aCulture 606 $aCultural Transfer 606 $aTranslation 606 $aImitation 606 $aOriginal 606 $aCopy 606 $aAesthetic Practice 606 $aCreativity 606 $aFaked Tradition 606 $aPseudotranslation 606 $aImposter 606 $aIdentity Theft 606 $aHoax 606 $aCultural History 606 $aArt 606 $aLiterature 606 $aTheory of Art 606 $aGeneral Literature Studies 606 $aMedia Aesthetics 606 $aCultural Studies 615 4$aForgery 615 4$aCulture 615 4$aCultural Transfer 615 4$aTranslation 615 4$aImitation 615 4$aOriginal 615 4$aCopy 615 4$aAesthetic Practice 615 4$aCreativity 615 4$aFaked Tradition 615 4$aPseudotranslation 615 4$aImposter 615 4$aIdentity Theft 615 4$aHoax 615 4$aCultural History 615 4$aArt 615 4$aLiterature 615 4$aTheory of Art 615 4$aGeneral Literature Studies 615 4$aMedia Aesthetics 615 4$aCultural Studies 676 $a700 686 $aEC 1960$2rvk 701 $aNiehoff$b Simone$p

Simone Niehoff, Ludwig-Maximilians-University Munich, Germany

$01888210 701 $aSannders$b Florencia$p

Florencia Sannders, Universität Bremen, Germany

702 $aBecker$b Daniel$p

Daniel Becker, Ludwig-Maximilians-University Munich, Germany

$4edt 702 $aFischer$b Annalisa$p

Annalisa Fischer, Ludwig-Maximilians-University Munich, Germany

$4edt 702 $aSchmitz$b Yola$p

Yola Schmitz, Ludwig-Maximilians-University Munich, Germany

$4edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910263843103321 996 $aFaking, Forging, Counterfeiting$94526720 997 $aUNINA