LEADER 04839nam 2200697 450 001 9910261101403321 005 20200520144314.0 010 $a3-11-040684-5 010 $a3-11-040671-3 024 7 $a10.1515/9783110406719 035 $a(CKB)3710000000495118 035 $a(EBL)4006828 035 $a(SSID)ssj0001575728 035 $a(PQKBManifestationID)16239810 035 $a(PQKBTitleCode)TC0001575728 035 $a(PQKBWorkID)14850001 035 $a(PQKB)10174306 035 $a(DE-B1597)444732 035 $a(OCoLC)948656113 035 $a(OCoLC)952799763 035 $a(DE-B1597)9783110406719 035 $a(Au-PeEL)EBL4006828 035 $a(CaPaEBR)ebr11101743 035 $a(CaONFJC)MIL838202 035 $a(OCoLC)927490414 035 $a(MiAaPQ)EBC4006828 035 $a(EXLCZ)993710000000495118 100 $a20151111h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWordplay and metalinguistic $eauthors, contexts, techniques, and meta-reflection /$fedited by Angelika Zirker and Esme Winter-Froemel 210 1$aBerlin, [Germany] :$cDe Gruyter,$d2015. 210 4$d©2015 215 $a1 online resource (318 p.) 225 1 $aThe Dynamics of Wordplay ;$vVolume 1 300 $aDescription based upon print version of record. 311 $a3-11-040656-X 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tFrontmatter -- $tContents -- $tWordplay and Its Interfaces in Speaker- Hearer Interaction: An Introduction / $rZirker, Angelika / Winter-Froemel, Esme -- $tI Authors and Contexts -- $t"Equivocation will undo us"? Wordplay and Ambiguity in Hamlet's First and Second Line / $rBross, Martina -- $tWordplay as Courtly Pastime and Social Practice: Shakespeare and Lewis Carroll / $rKullmann, Thomas -- $tDouble Entendre in Restoration and Early Eighteenth-Century Comedy / $rGoth, Maik -- $tThe Serious Work of Play: Wordplay in the "Dark Sonnets" of Gerard Manley Hopkins / $rRussell-Brown, Sheelagh -- $tII Linguistic Techniques of Wordplay -- $tLexical Blending as Wordplay / $rRenner, Vincent -- $tNon-Canonical Proverbial Occurrences and Wordplay: A Corpus Investigation and an Enquiry Into Readers' Perception of Humour and Cleverness / $rArnaud, Pierre J. L. / Maniez, François / Renner, Vincent -- $tA Cognitive Model for Bilingual Puns / $rKnospe, Sebastian -- $tInterview: A Perspective from Practical and Professional Experience - Wordplay in Poetry / $rDuhig, Ian -- $tIII Genre and Meta-Reflection -- $tWordplay and Discourse Traditions / $rKabatek, Johannes -- $tWordplay in Subtitled Films - An Audience Study / $rSchauffler, Svea -- $tPlays around Surfaces and Depths: Transitions between Two- and Three- Dimensionality Reflected by Wordplays and Puns / $rSchmitz-Emans, Monika -- $tSecret Wordplay and What It May Tell Us / $rBauer, Matthias -- $tAppendix -- $tList of Contributions and Abstracts -- $tList of Contributors -- $tIndex 330 $aWordplay can be seen as a genuine interface phenomenon. It can be found both in everyday communication and in literary texts, and it can fulfil a range of functions - it may be entertaining and comical, it may be used to conceal taboo, and it may influence the way in which the speaker's character is perceived. Moreover, wordplay also reflects on language and communication: it reveals surprising alternative readings, and emphasizes the phonetic similarity of linguistic signs that also points towards relations on the level of content. Wordplay unravels characteristics of literary language in everyday communication and opens up the possibility to analyze literary texts from a linguistic perspective. The first two volumes of the series The Dynamics of Wordplay therefore aim at bringing together contributions from linguistics and literary studies, focusing on theoretical issues such as basic techniques of wordplay, and its relationship to genres and discourse traditions. 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