LEADER 03967 am 22006973u 450 001 9910256651203321 005 20191221113333.0 010 $a0-8135-9175-9 010 $a0-8135-9173-2 024 7 $a10.36019/9780813591759 035 $a(CKB)4100000001948623 035 $a(MiAaPQ)EBC5265316 035 $a(OCoLC)989811413 035 $a(MdBmJHUP)muse60321 035 $a(DE-B1597)528533 035 $a(DE-B1597)9780813591759 035 $a(ScCtBLL)c1b932fc-c3ba-42b8-ae94-e5901acdfec9 035 $a(EXLCZ)994100000001948623 100 $a20191221d2018 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe Queer Fantasies of the American Family Sitcom /$fTison Pugh 210 1$aNew Brunswick, NJ : $cRutgers University Press, $d[2018] 210 4$dİ2018 215 $a1 online resource (248 pages) 311 $a0-8135-9172-4 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tIntroduction: TV's Three Queer Fantasies -- $t1. The Queer Times of Leave It to Beaver: Beaver's Present, Ward's Past, and June's Future -- $t2. Queer Innocence and Kitsch Nostalgia in The Brady Bunch -- $t3. No Sex Please, We're African American: The Cosby Show's Queer Fear of Black Sexuality -- $t4. Feminism, Homosexuality, and Blue-Collar Perversity in Roseanne -- $t5. Allegory, Queer Authenticity, and Marketing Tween Sexuality in Hannah Montana -- $t6. Conservative Narratology, Queer Politics, and the Humor of Gay Stereotypes in Modern Family -- $tConclusion: Tolstoy Was Wrong; or, On the Queer Reception of Television's Happy Families -- $tAcknowledgments -- $tTelevision Programs -- $tNotes -- $tWorks Cited -- $tIndex -- $tAbout the Author 330 $aThe Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds. 606 $aTelevision programs$xSocial aspects$zUnited States 606 $aSex role on television 606 $aHomosexuality on television 606 $aHomosexuality and television 606 $aSituation comedies (Television programs)$zUnited States$xHistory and criticism 608 $aElectronic books. 610 $aAmerican family. 610 $aAmerican sitcom. 610 $achild actor. 610 $acomedy. 610 $afamily sitcom. 610 $algbtq. 610 $aqueer. 610 $asexuality. 610 $asitcom. 610 $atelevision. 615 0$aTelevision programs$xSocial aspects 615 0$aSex role on television. 615 0$aHomosexuality on television. 615 0$aHomosexuality and television. 615 0$aSituation comedies (Television programs)$xHistory and criticism. 676 $a791.45/617 700 $aPugh$b Tison, $4aut$4http://id.loc.gov/vocabulary/relators/aut.$0856145 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910256651203321 996 $aThe Queer Fantasies of the American Family Sitcom$92264647 997 $aUNINA LEADER 02789nam 2200709Ia 450 001 9910785557503321 005 20230126205709.0 010 $a1-283-57117-X 010 $a9786613883629 010 $a0-8263-5147-6 035 $a(CKB)2670000000234219 035 $a(EBL)1104398 035 $a(OCoLC)821734053 035 $a(SSID)ssj0000711002 035 $a(PQKBManifestationID)11418453 035 $a(PQKBTitleCode)TC0000711002 035 $a(PQKBWorkID)10681441 035 $a(PQKB)11436851 035 $a(MiAaPQ)EBC1104398 035 $a(OCoLC)810531435 035 $a(MdBmJHUP)muse19764 035 $a(Au-PeEL)EBL1104398 035 $a(CaPaEBR)ebr10591115 035 $a(CaONFJC)MIL388362 035 $a(EXLCZ)992670000000234219 100 $a20120409d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBakers and Basques$b[electronic resource] $ea social history of bread in Mexico /$fRobert Weis 210 $aAlbuquerque $cUniversity of New Mexico Press$dc2012 215 $a1 online resource (231 p.) 300 $aDescription based upon print version of record. 311 $a0-8263-5146-8 320 $aIncludes bibliographical references and index. 327 $a"Zelo y desvelo" : the bread monopoly and late colonial market reforms -- "A system that offends the hands of brothers" : small bakers and the free market in independent Mexico -- "An uncle in America" : chain migration and the Spanish monopoly -- "Dough kneaded with blood" -- "We have no bread" : hunger, opportunity, and war -- The bakers' revolution -- Unionists, tlalchicholes, and canasteros. 330 $aMore than a book about bread, Bakers and Basques places food and labor at the center of the upheavals in Mexican history from independence to the aftermath of the Mexican Revolution. 606 $aBread industry$zMexico$xHistory 606 $aBread$xEconomic aspects$zMexico$xHistory 606 $aBread$xPolitical aspects$zMexico$xHistory 606 $aBakeries$zMexico$xHistory 606 $aBakers$xPolitical activity$zMexico$xHistory 607 $aMexico$xEconomic conditions 607 $aMexico$xSocial conditions 615 0$aBread industry$xHistory. 615 0$aBread$xEconomic aspects$xHistory. 615 0$aBread$xPolitical aspects$xHistory. 615 0$aBakeries$xHistory. 615 0$aBakers$xPolitical activity$xHistory. 676 $a338.4/766475230972 676 $a338.47664752 676 $a338.4766475230972 700 $aWeis$b Robert$f1971-$01507118 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785557503321 996 $aBakers and Basques$93737593 997 $aUNINA