LEADER 04272nam 22006255 450 001 9910255356103321 005 20200630211752.0 010 $a1-137-56652-3 024 7 $a10.1057/978-1-137-56652-2 035 $a(CKB)3710000000718208 035 $a(EBL)4716703 035 $a(DE-He213)978-1-137-56652-2 035 $a(MiAaPQ)EBC4716703 035 $a(EXLCZ)993710000000718208 100 $a20160601d2016 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAlthusser and Pasolini $ePhilosophy, Marxism, and Film /$fby Agon Hamza 205 $a1st ed. 2016. 210 1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (200 p.) 300 $aDescription based upon print version of record. 311 $a1-137-56651-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Althusser and Pasolini -- PART I: On Althusser -- 1. Contextualisation -- 2. Periodization -- 3. Taking Sides: Hegel or Spinoza? -- 4. Structural Causality -- 5. Althusser before Althusser: from Christianity to Communism -- 6. Marxists? Preshistory -- 7. Proletariat of Human Condition Versus the Proletariat of Labor -- 8. Christian Materialism -- 9. Antiphilosophy -- 10. Definition of Ideology -- 11. Epistemological Break -- 12. Interpellation -- 13. State Apparatuses -- 14. Church as an Ideological State Apparatus 15. Althusser?s Politics -- PART II: The Gospel According to Althusser -- 16. Setting the Stage -- 17. Camera as an Ideological Apparatus -- 18. Film as a Commodity -- 19. Representation -- 20. The Christian Reality -- 21. Religious Suspension of the Theological -- 22. Religious-Political -- us Humanity -- 25. The Politics of Religion -- 26. Pasolini?s Political Though -- Conclusion: Marxism and Film. . 330 $a Agon Hamza offers an in-depth analysis of the main thesis of Louis Althusser?s philosophical enterprise alongside a clear, engaging dissection of Pier Paolo Pasolini?s most important films. There is a philosophical, religious, and political relationship between Althusser?s philosophy and Pier Paolo Pasolini?s films. Hamza teases out the points of contact, placing specific focus on critiques of ideology, religion, ideological state apparatuses, and the class struggle. The discussion, however, does not address Althusser and Pasolini alone. Hamza also draws on Spinoza, Hegel, Marx, and ?i?ek to complete his study. Pasolini?s films are a treasure-trove of Althusserian thought, and Hamza ably employs Althusserian terms in his reading of the films. Althusser and Pasolini provides a creative reconstruction of Althusserian philosophy, as well as a novel examination of Pasolini?s film from the perspective of the filmmaker?s own thought and Althusser?s theses. . 606 $aAesthetics 606 $aModern philosophy 606 $aSocial sciences?Philosophy 606 $aReligion?Philosophy 606 $aMotion pictures?European influences 606 $aAesthetics$3https://scigraph.springernature.com/ontologies/product-market-codes/E11000 606 $aModern Philosophy$3https://scigraph.springernature.com/ontologies/product-market-codes/E19000 606 $aSocial Philosophy$3https://scigraph.springernature.com/ontologies/product-market-codes/E43000 606 $aPhilosophy of Religion$3https://scigraph.springernature.com/ontologies/product-market-codes/E33000 606 $aEuropean Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413060 615 0$aAesthetics. 615 0$aModern philosophy. 615 0$aSocial sciences?Philosophy. 615 0$aReligion?Philosophy. 615 0$aMotion pictures?European influences. 615 14$aAesthetics. 615 24$aModern Philosophy. 615 24$aSocial Philosophy. 615 24$aPhilosophy of Religion. 615 24$aEuropean Cinema and TV. 676 $a111.85 700 $aHamza$b Agon$4aut$4http://id.loc.gov/vocabulary/relators/aut$01061563 906 $aBOOK 912 $a9910255356103321 996 $aAlthusser and Pasolini$92519215 997 $aUNINA